Vanessa Obioha

Nigeria has selected the epic Hausa film “Mai Martaba” as its contender for the International Feature Film (IFF) category at the 97th Academy Awards.

Produced and directed by Prince Daniel, the film explores power, love, greed, and betrayal themes in an ancient African kingdom, offering a transformative tale that challenges conventions and celebrates female leadership.

Set against the backdrop of a thriving trade era fueled by the Trans-Saharan exchange, the kingdom’s prosperity is cut short by a fierce internal power struggle within the dominant Agadashawa ruling clan. The film was shot on location in Daura, Katsina State.

The Nigerian Official Section Committee (NOSC), in a statement, said the film was selected for “its relevant theme of diverse voices in decision-making and inclusive leadership and its visual and technical appeal.”

“Mai Martaba” received the highest votes from the 15-member committee which include award-winning actress and NOSC Chairperson Stephanie Linus; President of the Directors’ Guild of Nigeria (DGN) Dr. Victor Okhai; veteran actress Omotola Jalade-Ekeinde; former DGN President Andy Amenechi; theatre practitioner Yibo Koko; writer/director Izu Ojukwu; prolific film producer Emem Isong and journalist/film critic Victor Akande.

The Academy of Motion Picture Arts and Sciences (AMPAS), the organising body of the Oscars, confers the IFF Award annually to a feature-length motion picture produced outside the United States which contains 50 per cent or more dialogue in a language or languages other than English. A shortlist of 15 finalists is scheduled to be announced on December 17, 2024, with the final five nominees will be unveiled on January 17, 2025.

“Mai Martaba” marks Nigeria’s third successful submission for the award and is anticipated to break the Oscars jinx that has plagued the country so far.

The 97th Oscars will be held on March 2, 2025, at the Dolby Theatre in Ovation Hollywood, Los Angeles, California, United States, and broadcast live to over 200 territories worldwide.

Vanessa Obioha

Following its third showing at this year’s Quramo Festival of Words (QFest)—having first been privately screened on July 12 to commemorate the 90th birthday of Nobel laureate Wole Soyinka, whose life inspired the film—organisers of the iREP International Documentary Film Festival have announced that the documentary ‘The Man Died’ will continue its global festival tour.

In a press statement, the producers revealed that the film is being considered for special screenings at educational institutions in Florence, Italy; Abu Dhabi in the UAE; Jo’Burg, South Africa as well at Ivy League institutions in the USA, including New York University; Harvard University; Oxford University; and at Ithaca College, among others. It was recently screened at New York University’s Ghana campus and is scheduled to show at the Film Africa Festival in London on October 27.

Further screenings are set for the African International Film Festival (AFRIFF) in early November and the Eastern Nigeria International Film Festival (ENIFF) in Enugu.

The film is also under consideration for top-tier film festivals, including Berlinale in Germany, Carthage in Tunisia, the Jo’burg Film Festival in South Africa, the African Film Festival in New York, and FESPACO in Burkina Faso.

In addition to the festival circuit, ‘The Man Died’ is being reviewed by at least three major global streaming platforms, with international distribution deals also in discussion.

‘The Man Died’ chronicles Soyinka’s activism, focusing on his 27-month incarceration by the Nigerian government during the Nigerian Civil War in 1967. It was written by UK-based scriptwriter, Bode Asiyanbi, directed by Abu Dhabi, UAE-based Awam Amkpa (Prof) and produced by Lagos-based Femi Odugbemi for Zuri 24 Media.

Vanessa Obioha

After 10 weeks in the Big Brother Naija ‘No Loose Guard’ house, Kellyrae has emerged as the winner of the season, beating 27 other housemates who entered the show in pairs.

Kellyrae, whose real name is Kingsley Sule, entered the house with his wife, Kassia, under the pair name ‘DoubleKay.’ A professional singer and the youngest child of his family, Kellyrae was often described as a strategist throughout the show. He and his wife kept their marital status a secret from the other housemates, though many suspected there was more to their relationship. Kassia was evicted in the penultimate week, leaving Kellyrae to continue alone.

The live finale kicked off with energetic performances from Joeboy and Qing Madi. Host Ebuka Obi-Uchendu quickly moved into the eviction announcements, which saw Sooj, Anita, Ozee, Nelly, Victoria, and Onyeka leave the house, narrowing the competition down to Wanni and Kellyrae as the final two.

Kellyrae claimed the title of Big Brother Naija ‘No Loose Guard’ season winner, taking home the grand prize of N100 million. He is the first married man to win the show.

Vanessa Obioha

For millions of Nigerians affected by cataracts, the gift of sight is often a daily struggle. Yet, thanks to the collaborative efforts of GBFoods, Fundacion Elena Barraquer, and the Niger Foundation Hospital and Diagnostic Centre, hundreds of lives in Enugu have been transformed. From September 16 to 20, 2024, nearly 500 individuals received free cataract surgeries, restoring not only their vision but also their hope for a better future.

Now in its third edition and the second time it has been held in Enugu, the initiative has completed over 1,000 surgeries to date. The camp brought together medical professionals and volunteers, underscoring GBFoods’ growing commitment to corporate social responsibility. Beyond its core business of nourishing lives through food, GBFoods is addressing critical community health needs, making a lasting impact.

Cataracts remain a leading cause of preventable blindness in Nigeria, especially among the elderly, according to a study by the International Journal of Community Medicine and Public Health. In many communities where access to healthcare is limited, a treatable condition like cataracts often leads to permanent blindness. The GBFoods Cataract Surgery Camp aimed to change that by providing free surgeries, screenings, post-operative medications, and eyeglasses.

“Sustainability is at the heart of our business at GBFoods. For us, it’s divided into three key areas. First is nutrition—ensuring that all our products provide the right nourishment for our consumers. The second is the environment—making sure that through our sourcing, manufacturing, and operations, we leave a positive impact. Lastly, and most importantly, are our communities,” said the General Manager of GBFoods, Vincent Egbe.

He further elaborated on the objective of the initiative. “Being a part of driving the prosperity of the people is our third pillar, and that’s where this program comes in. It helps people with cataracts regain their sight. Consumers who can see are more productive, which improves their welfare and, in turn, fosters greater prosperity within their communities.”

For the patients who attended the camp, the impact was life-changing. One elderly woman, who had struggled with impaired vision for years, expressed her gratitude: “I see, and the difference is unbelievable. I’m so grateful to GBFoods and everyone involved. They even gave us gifts—Gino tomato paste, spices, and seasoning. I can’t wait to use them in my jollof rice and fried rice. I appreciate everyone who participated in this event. May God bless you all.”

Another patient, returning for his second surgery after a successful operation the previous year, was equally thankful: “This is my second time here. I did it last year, and when I got to know that they are doing the exercise again this year, I decided to come to do the right eye. I’m grateful to the organisers, security, sponsors, and hospital management for making this possible. The process was smooth, and I’m leaving with my vision restored”

These personal stories highlight how restoring sight also restores independence, purpose, and the ability to contribute to family and community life. The ripple effect extends far beyond the individuals treated, as patients return to work and re-engage with daily life.

In partnership with Fundacion Elena Barraquer and the Niger Foundation Hospital, shows the power of collaboration in tackling public health challenges. By aligning with the United Nations’ Sustainable Development Goal 3, which emphasizes good health and well-being, GBFoods is contributing to a global movement to improve healthcare access.

As the camp continues to grow, GBFoods’ involvement exemplifies how businesses can drive meaningful change through thoughtful CSR. For the nearly 500 individuals who left the camp with clear vision, their brighter futures indicate the transformative power of collaboration and compassion.

Vanessa Obioha

It’s official: Netflix has renewed Kunle Afolayan’s series ‘Aníkúlápó’ for a second season. The 2022 epic fantasy film, which was adapted into the drama series ‘Aníkúlápó: The Rise of the Spectre,’ captivated audiences worldwide, even peaking at #1 on the Netflix Global Top 10 list.

Production for the new season has already begun in Ibadan, Nigeria, and Ghana, with series leads Sola Sobowale, Bimbo Ademoye, and Lateef Adedimeji returning to their roles. New cast members include Antar Laniyan, Joke Muyiwa, Adebowale Adebayo, and Saidi Balogun.

“We’re overjoyed that Netflix has renewed Aníkúlápó for another season,” said Afolayan. “We take pride in telling our stories authentically and this series is a powerful reflection of Nigerian culture and history.”

Afolayan also revealed that the new series will explore the complex realities of the slave trade, with a diverse cast featuring actors from Portugal, Ghana, and Nigeria.

“Filming in Oyo State and Ghana helped us ground the story in places rich with our heritage. We’re excited to continue sharing this journey with the world and celebrating the depth of our culture,” he concluded.

Vanessa Obioha

Just in time for Nigeria’s 64th Independence anniversary, Netflix has announced an exciting lineup of licensed Nigerian titles set to be released this October and throughout the final quarter of the year. Among the highlights is ‘Hijack 93,’ a gripping thriller inspired by real-life events, premiering on October 25 to mark the anniversary of the 1993 hijacking.

‘Hijack 93’ tells the story of four young men who hijack a plane in protest of the annulled 1993 elections in Nigeria. As they navigate the high-stakes situation, they must balance their demands with the safety of the passengers and their own freedom. The film, created by Play Networks Studios (Blood Vessel, Glamour Girls), will feature an all-star cast including Nancy Isime, Sharon Ooja, Jemima Osunde, Idia Aisen, Adam Garba, Nnamdi Agbo, Akinsola Oluwaseyi, Allison Emmanuel, Efa Iwara and John Dumelo.

“Hijack 93 is a fictional retelling inspired by the true events of a Nigerian Airways flight that was hijacked in 1993 by some Nigerian teenagers. Such historic events that are part of the spine of our democracy have the tendency to dissolve before the next generation has knowledge of it. As a filmmaker, my focus is telling our true African stories for the world to see,” said Charles Okpaleke, producer and co-founder of Play Network Studios.

“It is essential to us that Netflix remains the premier destination for the best in Nigerian storytelling for our members in Nigeria,” said Ben Amadasun, Netflix’s Vice President of Content for the Middle East and Africa. “We aim to continue celebrating the country’s rich and vibrant culture and history by acquiring a variety of exciting licensed titles from Nigeria’s best filmmaking talent.”

Other Nigerian stories coming to the platform in the last quarter of the year include ‘Inside Life,’ a series launching on October 11; and the films ‘Domitilla’ on November 8, ‘Sisi London’ on November 29 and ‘Seven Doors’ on December 13.

Vanessa Obioha

Vanessa Obioha

Following the expiration of the Peoples Democratic Party (PDP) structures across Ekiti State last August, Pastor Sunday Olowoyo has been appointed as the Caretaker Committee Chairman for Irepodun/Ifelodun Local Government Area.

His appointment is part of a broader decision by the PDP National Working Committee to establish a caretaker committee, headed by Chief Dare Adeleke, to manage party affairs in Ekiti. Olowoyo was selected alongside 15 other local government chairmen, with their appointments formalized on Tuesday, at the State Party Secretariat in Ajilosun, Ado-Ekiti.

A seasoned politician and skilled manager of people, Olowoyo began his career as a councillor representing Afao Ward in Irepodun/Ifelodun LGA from 1999 to 2002. He was later elected Deputy Leader of the legislative arm.

In 2004, after leaving the Alliance for Democracy (AD), Olowoyo joined the PDP, marking a turning point in his political career. Two years later, he was elected Chairman of the Petroleum Products Consumer and Protection Agency (PPCPA), a position he held until the Olurin-led Emergency Administration dissolved the state’s leadership.

In 2012, Olowoyo was elected as PDP Chairman of Irepodun/Ifelodun LGA during a period of internal party disputes, primarily between former Governor Ayo Fayose and Chief Adeyeye. Thanks to his people management skills, he successfully united the party, attracting many stalwarts from other political groups and solidifying the PDP’s presence across the eleven wards of the local government. He played a pivotal role in Fayose’s emergence as the party’s governorship candidate and eventual victory in the 2014 election.

From 2014 to 2015, Olowoyo served as the Caretaker Chairman of Irepodun/Ifelodun LGA. In 2016, he was appointed Chairman of the Ekiti State Housing Corporation by Fayose, a position he held until 2018.

Fondly called “Boboo” by his supporters, Olowoyo is a dedicated Christian and native of Afao-Ekiti, known for his loyal and diligent service to the people of Ekiti across various levels of governance. With his latest appointment, he is focused on uniting the PDP and steering it toward future successes.

Vanessa Obioha

Toke Makinwa and her guests had much to discuss on the ninth episode of Showmax’s BBNaija: The Buzz. With the dramatic exits of Shaun, TJay, and Handi, the conversation with actress and media personality Constance Owoyomi, and the spirited Cassandra, centred around the evictions, standout strategies, and the brewing love triangles in the house.

Constance was quick to point out her surprise at Handi’s exit, noting, “I thought people would save the twins,” while Cassandra cheekily responded, “your baby,” stirring laughter from the group. The debate raged on, with Toke agreeing that Wanni is a strong contender, admitting, “I would never have thought Shaun would leave before Onyeka.” Toke also addressed fans blaming her for Shaun’s downfall, clarifying, “I just said I liked the boy.”

The trio also discussed Kellyrae’s seemingly winning strategy as his triumph in the Head of House challenge secured him a spot in the finale.

“No one can predict the way the show will go by the changes in the house,” Constance remarked, referencing Kellyrae’s growing influence. Escaping nomination, Sooj became the second finalist, setting the stage for a nail-biting finish.

The Mbadiwe twins also remained a hot topic, with fans and panellists wondering how they’ve managed to stay in the game. Cassandra argued, “They’ve been lucky,” while Constance stated, “Their fans can’t keep them in much longer.” The panel agreed the twins’ laid-back approach might finally be catching up to them.

From alliances to relationships, The Buzz took a deep dive into the turbulent romantic entanglements inside the house. Topher and Anita’s constant bickering, Wanni’s sly manoeuvres, and Kellyrae’s budding tension with Shaun were all hot topics. Cassandra joked that Wanni “reads meaning into everything,” hinting that her relationship with Kellyrae might be in jeopardy now that her twin sister is out of the game and Kellyrae is now Head of House.

The conversation shifted to Nelly and Sooj’s complicated dynamic. With Sooj touching another woman, Toke speculated that Nelly senses Sooj’s interest in Victoria. Constance chimed in, stating, “He does like Victoria,” and the panellists agreed that if the tables were turned, Sooj’s reaction would’ve been very different. The group reached a consensus that the couples relationship wouldn’t last outside the house, with Constance adding, “He’s drained. She’s stressing the boy.”

The panel wrapped up the episode with predictions on who could emerge as the season’s winner. Constance cast her vote for Wanni or Ozee, pointing to their strong fan bases. Kassandra, however, leaned towards Kellyrae, hinting that his recent win might boost his odds. Toke, ever the diplomat, suggested that Wanni might snag second place but couldn’t commit to a definitive winner.

Vanessa Obioha

A new fashion show, Style Magnate, is set to reward an emerging fashion designer N100 million worth of prizes when it premieres on October 4, 2924 on the streaming platform Showmax.

With new episodes every Friday. Style Magnate, a Showmax Nigerian original reality TV, is a fashion and design competition featuring 20 talented up-and-coming fashion designers who have been handpicked through a rigorous audition process. These designers will compete for a life-changing prize of N100 million worth of prizes, including a 10 million Naira cash prize, a three-month internship, a one-bedroom loft apartment, and the coveted title of The Style Magnate.

“Style Magnate was born out of a desire to showcase the raw talent and limitless creativity we have in Africa,” said the show’s executive producer, Abisola Omolade. “The idea was to create not just a competition, but a platform where designers can learn, grow, and thrive in an industry that’s constantly evolving.”

The designers will embark on a month-long journey that will end with one of them being crowned and receiving a life-changing opportunity to launch their career as a designer for the stars. Contestants will be pushed to their limits, taking on challenges that test their sketching, designing, and sewing skills, all under immense pressure and while racing against the clock.

“With Style Magnate, we’re allowing designers to showcase their creativity and passion to a wider audience,” said Executive Head of Content and Channels, West Africa, MultiChoice, Dr Busola Tejumola. “We’re proud to support emerging talent as these creatives work towards making their mark on the global fashion stage.”

Leading Style Magnate is Nigerian fashion designer and icon Mai Atafo, known for his award-winning designs and expertise. As the show’s Maestro, Atafo will be on hand to offer expertise, encouragement, and, of course, his signature tough love. Hosting the show is Joseph Benjamin, bringing his charisma and experience to the Bottega, with Yolanda Okereke, a renowned stylist and costume designer for film and television, who will serve as the Fashion Principal.

Vanessa Obioha

As part of its commitment to address food insecurity and connect farmers to their consumers, Farm Junction Ltd, an innovative agriculture business, recently announced its novel concept, Most Beautiful Farmer Lagos.
The beauty pageant is one of the projects under the company’s foundation and seeks to empower farmers through diverse means including financial support and agricultural practices.

Most Beautiful Farmer Lagos is a first of its kind, targeting women with more emphasis on technical and sustainable agricultural practices than beauty.

“The beauty pageant forms the smallest part of the competition. The idea is to have women who are resident in Lagos and are involved in the agricultural value chain participate,” explained Mr Sola Rogers, the CEO of Boom Radio NG.

“There are two reasons why we decided to go this way,” said Dumebi Oluwole, Special Projects and Programs Manager, Farm Junction Ltd. “First, to ensure that we address one of the most marginalized segments of the farming industry in Nigeria. We do know that a lot of farmers in Nigeria are women, but they are also marginalised, and this is one way we can empower them and give back to them to ensure that they are able to contribute sustainably to the output of Nigeria’s agricultural sector.”

The second reason, according to her, is the overarching theme of the company, which is ensuring food availability and affordability.

More importantly, the program seeks to “make farming cool.”

Open to farmers from age 21 and above, irrespective of the scale of their production or type of farming, the pageantry will run from September 15 to October 16, 2024—culminating in a grand finale on World Food Day 2024.

“This is in conjunction with the Farmers Forum in Lagos, Lagos State Ministry of Agriculture and other agencies,” added Rogers.

Only 10 contestants will be selected for the finale, which will take place in the market, with the overall winner taking a truck worth N26 million.

Contestants who successfully pass the audition will go through a three-day close camping where they will be taught sustainable farming practices to mitigate climate change as well as modern farming techniques and other entrepreneurial skills to help them run their businesses efficiently.

The ultimate goal of the concept, according to the CEO, Farm Junction Ltd, Yinka Omogoye, is to get more people into farming.

“If we are able to get more people into farming, it will pull down the prices of food for everybody. And at the end of the day, food is affordable.”

Vanessa Obioha

Nigerian filmmaker and cinematographer Ola Cardoso is directing the new movie ‘My Pikin Dey Lagos.’ Cardoso, a well-known name in Nollywood whose credits include ‘God Calling,’ ‘Banana Island Ghost,’ and the 2024 AMVCA Best Movie winner ‘Breath of Life,’ in a recent chat with ������Ƶ shared his deep passion for storytelling and how he is translating that in ‘My Pikin Dey Lagos.’

“‘My Pikin Dey Lagos’ holds a special place in my heart, both personally and professionally,” he said. “The story deeply resonates with me because it reflects a real-life experience I’ve had. I was drawn to this film because it allows me to explore and convey the challenges and successes of pursuing dreams in the face of harsh urban realities.”

Produced by Paul Umana and starring Levi Chikere in the lead role, ‘My Pikin Dey Lagos’ tells the story of a 28-year-old dreamer who leaves his ailing mother in their village to chase stardom in Lagos, only to face the harsh realities of the big city.

“It captures the essence of the struggles many dreamers encounter,” noted Cardoso.
“As the director, my goal was to authentically depict the protagonist’s emotional and physical journey. I aimed to highlight the contrast between the hopeful dreams of Lagos and the often difficult realities of city life. By blending intimate, character-focused scenes with the broader, sometimes harsh urban environment, I sought to create a narrative that is both deeply personal and widely relatable.”

For Cardoso, the film mirrors his experiences “and those of many others who have ventured beyond their familiar surroundings to chase their aspirations.”

The film, he said, also came with unique challenges.

“One significant challenge was shooting exterior scenes in Lagos, especially dealing with the crowds and busy streets. The vibrant energy of the city is both a blessing and a challenge—while it adds authenticity and life to the film, it also means constant interruptions and having to clear the set of onlookers.

“Managing these crowds and ensuring we could shoot scenes with the right focus and without constant disruptions was a tough but rewarding experience. It required meticulous planning and coordination with local authorities to keep everything running smoothly.”

Cardoso’s journey into Nollywood, according to him, was a mix of passion, timing, and the right opportunities.

“It all began when Akinola Bakare gave me my first Nollywood gig as the second camera operator on Before 30,” he disclosed. “That project was a pivotal moment for me—it not only allowed me to get my hands dirty in the industry but also opened doors to some amazing relationships.”

Through ‘Before 30,’ Cardoso met BB Sasore and Derin Adeyokunu of Nemsia Studios and worked with them on various projects.

He was particularly drawn to cinematography and creative direction by the transformative power of stories.

“For me, storytelling has always been at the heart of everything. I’ve been fascinated by how stories, visuals, and emotions come together to create something powerful. Growing up, I was deeply inspired by the way films could move people, change perspectives, and connect on a human level. The ability to shape these stories visually is what drew me into cinematography and creative direction.”

Cardoso also revealed His biggest influences in cinematography and filmmaking

“They include Shane Hulburt and Roger Deakins. Hulburt’s innovative approaches to visual storytelling and Deakins’ mastery of light and composition have profoundly shaped my perspective and style. Their work inspires me to push the boundaries of what’s possible in film and strive for excellence in every project.”

While noting that all the films he had worked on contributed to his career growth and sharpened his skills, Cardoso revealed that ‘Breath of Life’ holds a special place in his heart.

“It’s a deeply personal project for me because it resonates with themes I truly believe in—hope, resilience, and the human spirit. The process of bringing that story to life was both challenging and rewarding, and it allowed me to push my creative boundaries in ways I hadn’t before. ‘Breath of Life’ is more than just a film to me; it’s a reflection of the kind of stories I want to continue telling.”

With ‘My Pikin Dey Lagos,’ he is hoping that viewers will appreciate the deeply personal and authentic portrayal.

“My input as both director and cinematographer has been driven by a desire to create a film that truly resonates with the audience. You’ll see a blend of intimate, character-driven storytelling with the raw, vibrant energy of Lagos, reflecting the real-life experiences of chasing dreams in a bustling city. I’ve focused on capturing the emotional depth and resilience of the protagonist while authentically representing the contrasts between hopeful aspirations and the harsh realities of urban life. My goal was to craft a narrative that feels both personal and universally relatable, offering a genuine and immersive experience that stays true to the struggles and triumphs of pursuing one’s dreams,” he said.

Reflecting on his career so far, Cardoso said that it “ has been a continuous learning experience, helping me refine my craft and push boundaries in storytelling. Nollywood has been a journey of growth, resilience, and endless creativity for me, and I’m grateful for every step that’s brought me to where I am today.”

He plans to leave a legacy of authenticity and innovation.

“I want to be remembered for creating impactful, emotionally resonant films that resonate with audiences both in Nigeria and globally. As for Hollywood, I’m excited about the possibilities and eager to bring a unique perspective and fresh ideas to the international stage,” he concluded.

Vanessa Obioha

In the first individual eviction of the Big Brother Naija ‘No Loose Guard’ edition, Ben and Chizoba were sent home. Both had entered the house with their respective partners—Chizoba with her sister, Onyeka, and Ben with his friend and business partner, TJay.

Ben, a 29-year-old club influencer, was the first to be evicted, leaving Chizoba heartbroken.

“I wouldn’t want Chizoba to leave the house now. I’ll be rooting for her,” he told Ebuka during their chat.

However, Ben was unaware that Chizoba would soon follow. After announcing a double eviction, Ebuka returned to the house to reveal that 31-year-old software developer Chizoba was the next to leave, much to the dismay of her sister Onyeka and her close friend, Ocee—one of the Mbadiwe twins.

The duo, however, hinted at the possibility of taking their relationship to another level.

Only 14 housemates are now left in the reality TV show.

Vanessa Obioha

As NASD PLC prepares for its 11th Annual General Meeting (AGM), the exchange is under intense scrutiny from its shareholders, particularly VFD Group. The investment company, known for its active role in the Nigerian capital market, has raised significant concerns about NASD’s governance structure and financial health.

In recent years, NASD has struggled with profitability, posting losses of N79 million in 2022 and N69 million in 2023. VFD Group’s concerns extend beyond these financial difficulties. The group has highlighted NASD’s reliance on delisting fees as a major revenue source, which they view as troubling. Last year, a significant portion of NASD’s earnings came from VFD’s own delisting, and there are indications that another substantial delisting could occur this year.

VFD Group’s stance highlights the need for NASD to shift its focus from profiting off companies exiting the market to attracting new listings and expanding its platform. With the AGM approaching, all eyes are on how NASD’s management will address these issues and whether they can present a clear strategy for the exchange’s future.

The upcoming AGM is expected to be a pivotal moment for NASD, as stakeholders await answers to the pressing questions raised by VFD Group. The meeting will not only determine the re-election of directors but also set the tone for NASD’s path forward in a challenging financial landscape.

Vanessa Obioha

Is there any difference between present-day music and the oldies? This was the question Douyé Youduba, the US-based Nigerian jazz vocalist sought to answer in a recent chat.

Youduba, who has gained recognition globally for her sonorous and melodic voice, believes that quality music is timeless.

“Quality music is not bound by time or era. It is a reflection of the human experience, and as long as there are artistes who are passionate about their craft and committed to creating something meaningful, there will always be quality music for us to enjoy and be inspired by,” she said, adding that “Music is a universal language that transcends borders and cultures, and I believe that everyone deserves to experience its power and beauty. By sharing my gift, I hope to spread the message of hope, love, and unity to people all over the world. Whether it’s through a live performance, a recorded album, or a social media post, I believe that every opportunity to share my gift is an opportunity to make a difference in someone’s life.”

Youduba has released multiple albums, including “Journey”, “Quatro”, “Daddy Said So”, and “Golden Sekere” which showcase her unique blend of jazz, soul, and pop music.

Vanessa Obioha

A mental health advocate based in the U.K., Tsitsi Natasha is addressing the shortage and inaccessibility of psychiatrists in Nigeria through her recently launched mental health app Athari.

“Mental illnesses are at an all-time high, and there needs to be a service that people feel comfortable accessing. There is a shortage of psychiatrists in Nigeria, with many people unable to access one,” she tells ������Ƶ.

With a population of over 200 million people, Nigeria has less than 250 mental health specialists in the country, according to the Association of Psychiatrists in Nigeria.

Natasha believes that Athari will serve as the median between psychiatrists and patients. Having battled a mental disorder herself and been fortunate to receive help in the U.K., Natasha felt a deep sense of responsibility to bring similar mental health resources to Nigeria.

Athari targets individuals struggling with mental health challenges who, due to various factors, are unable to access proper care.

“However we want to aim at every individual and not only for those having mental health issues. This is because, at Athari, we believe that mental health should be of concern at all times whether someone is already suffering from it or not,” Natasha explained, highlighting Athari’s inclusive approach to mental health.

Athari comes with a user-friendly interface that makes it easy for patients to navigate. Upon downloading, users are expected to fill in their details and the app will be able to match them with a psychiatrist based on their specific needs.

“They can choose any time of the day to schedule their appointment, depending on the doctor’s availability. We understand therapy can be daunting, especially for first-time users, so there’s a feature where the patient can hide their face. Prefer to speak to someone in your own language? No problem. We have doctors from the north, east and south,” assured Natasha.

“We also take into consideration that it takes almost thrice as much time to see a psychiatrist in person, and at their office hours. We offer an affordable alternative that puts our users’ comfort first. We only ask our users to be as open with us as they feel comfortable to ensure they get the best possible treatment.”

Athari features psychiatrists who specialize in various fields, including alcohol abuse and general psychiatry.

Mental health is a worrying trend on the continent, with many refusing to accept that it is a serious health issue that requires urgent treatment. Misconceptions about mental health abound in Nigeria.

“Some say that it’s a ‘demon’ or a ‘punishment for bad behaviour.’ The latter is what inspired Athari. I was in a hospital recovering in the UK and an African nurse asked me why I was there and was it because I didn’t pray?”

“Nigerians are not vocal when it comes to mental health issues,” added Abi Osikoya-Yusef, a Human Resources Consultant who helped to onboard the mental health practitioners onto the platform. “Everybody generally keeps quiet and tries to mask it, especially from a religious point of view. We hear people say ‘go and pray about it, you will be fine’ or ‘talk to your Pastor, Imam or a religious leader. There is that lack of education about what mental health really is and how to approach mental health struggles.”

A Clinical Psychologist and Mental Health Specialist, Dr Jeremiah Inja who leads the team at Athari further stated that mental health is grossly undermined in Nigeria. He shared some data

“About 703,000 people die annually due to suicide (WHO 2019). For every suicide, many more people attempt suicide. A prior suicide attempt is an important risk factor for suicide in the general population. Suicide is also the fourth leading cause of death among 15–29-year-olds.”

He continued: “Seventy-seven per cent of global suicides occur in low and middle-income countries. While the link between suicide and mental disorders (in particular, depression and alcohol use disorders) and a previous suicide attempt is well established in high-income countries, many suicides happen impulsively in moments of crisis with a breakdown in the ability to deal with life stresses, such as financial problems, relationship break-up or chronic pain and illness.”

For Injo, anxiety and depression are the most common mental health disorders in Nigeria.

With Athari, Natasha hopes to debunk some of the myths surrounding mental health.

“As a society and a generation, we need to do better. The brain is an organ and just like any other organ in our bodies; if not treated and cared for, it can also lose its ability to function.”

Using Nigeria as a launchpad, Natasha envisions Athari expanding to other African countries, such as South Africa and Ethiopia, bringing her mission of mental health accessibility to even more communities on the continent.

Vanessa Obioha

The Academy of Motion Picture Arts and Sciences (AMPAS) recently invited Nigerian filmmaker and creative entrepreneur Femi Odugbemi to serve on the International Engagement Committee.

The Committee is responsible for promoting connections between the Academy Awards and the global film industry. As a member of the committee, Odugbemi will play a role in shaping the Academy’s global engagement strategy through the membership process, the Academy governance and impact programs.

“Your insights and support will be very helpful with these efforts,” reads the invitation letter signed by the Governor, International Engagement Committee Chair, Peter Devlin.

A prolific filmmaker, Odugbemi is one of the prominent voices in the creative industry, particularly in film and TV. His works include the award-winning TV series ‘Battleground’ as well as ‘Covenant.’ He is also the executive director and co-founder of the i-Represent International Documentary Film Festival (iREP). He is also a voting member of the Academy Awards.

Odugbemi’s tenure with the committee will last for a year, ending June 30, 2025.

Vanessa Obioha

You may know him from his thought-provoking posts on X, his insightful books, or his articles in newspapers. Perhaps you’ve heard his voice on podcasts or encountered his work in PR and marketing. Regardless of how you’ve come across him, one thing is certain: Jide Taiwo—often recognized by the moniker The Jide Taiwo—is a prominent voice in the world of pop culture. The addition of ‘The’ to his name serves to distinguish him from others who share his name, particularly those outside the cultural sphere. With a robust background in Digital Storytelling, Transmedia Storytelling, and Community Journalism, Taiwo has emerged as a vital commentator on the intersections of culture, history, and society.

Starting as an entertainment journalist, Taiwo has spent years dissecting pop culture’s intersections with various sectors. For example, in his latest newspaper article, he explored how pop culture can be leveraged for tourism and national branding, using Nigeria’s performance at the Paris Olympics as a case study. On X, he reposted the American actress Halle Berry’s mischievous meme of Nollywood actor Osita Iheme, popularly known as Pawpaw with the caption “The pop culture of Nigeria is undefeated and underrated.”

Taiwo breathes and lives pop culture. To him, it’s more than just trends; it’s a marker of history.

“The way I look at it is that pop culture is a very good marker of history,” he said during a recent chat. “If you study pop culture, or are involved in pop culture, you will find out either willingly or inadvertently the history of people.

He illustrated this by tracing the career of the late Onyeka Onwenu, whose journey reflects notable moments in Nigerian history. From her education in the US to her work with NTA and her BBC documentary on Nigerian corruption in the early ’80s, to her music with King Sunny Ade addressing family planning, and her later standoff with NTA over royalties, Taiwo sees pop culture as a rich source for understanding societal evolution.

“If you follow her trajectory or that of any other popular person, you can learn the history of people in a society, which I think is the most important element of pop culture. And that’s the kind of work that I’ve done, using culture to chart our course, to tell our stories across different formats.”

Taiwo’s storytelling reaches across demographics, from millennials to Gen Z, thanks to his diverse experiences that provide him with multiple perspectives.

“I’m finely placed at that edge of whatever history you are making. I lived through the military days. I have lived through the turn of the century. I’m living in the Wizkid era. So it helps me to see from various angles,” he said.

“Young people may not care for songs that were done in 1991, but the people who were young that year are at a certain age now. You speak to them a certain way. People that are just coming of age now have things that they’re interested in. If Wizkid is doing a song with Drake or Beyoncé, what does that mean for the culture? What does that mean for Wizkid? What does it mean for Beyoncé? These are things that can cut across any angle.”

He further elaborated on the importance of telling stories in different formats to meet audiences where they are.

“Some folks will read books, some folks will watch TikTok. And if the New York Times or The Guardian have highly well-curated TikTok, it’s because they know that there’s a segment of society where TikTok is their primary source of information. That means you have to be there. So for me, I don’t look at myself as a monolith because culture itself is not a monolith. Culture is dynamic, it changes. Some of the things that were not permissible 20 years ago are the norms now. So if you work in the cultural space, it’s important that you look at all the possible angles and take feedback from people who may not necessarily agree with you, but you need to see how they see it and that has helped me a lot.”

Reflecting on cultural shifts, Taiwo recalled growing up in Ibadan at a time when cinemas were copious, including the popular Pen Cinema which is now a bus stop in Lagos.

“These are cultural trends that have changed leading up to a renaissance or resurgence in the 2000s when Silverbird Galleria started. Nowadays cinemas are commonplace. Everybody just walks into a cinema, and is entertained not knowing that in the year 2000, it wasn’t possible.”

In the same vein, he noted society’s evolving attitude towards musicians. Unlike in the past when musicians were often seen as dregs of society, today, there is a positive attitude and acceptance of such careers.

“That is because culture has helped us to see that some of these things need a better look, society has evolved, and it’s important that we as a people, as a culture, also evolve with it.”

While Taiwo is happy that Nigeria’s pop culture is gaining wider appeal across the globe, he is concerned about recency bias where the contributions of pioneers are often overshadowed by current successes.

“It appears that there’s an unwillingness to learn or a deliberate attempt to minimize the achievements of people in the past. The reason we have success now is because there was a lot of work that has landed us to this point in history.”

This in a way inspired him to start documenting these aspects of our culture as he did in his book ‘History Made: The Most Important Nigerian Songs Since 1999,’ a collection of essays on the songs that defined each year.

He is also troubled by how lightly culture journalism is treated in Nigeria compared to other countries.

“Pop culture is as important as politics. If you’re talking about what’s happening at the polity, it is as important as what’s happening in culture, because at the end of the day, culture is that thing that can define you. It’s that thing that can even define what governance should look like. If you look at Europe and the Middle East, for example, they’ve used their cultures to build their civilization. So if you go to Qatar, Dubai, or Saudi Arabia, they don’t shy away from their culture. They’ve used it to build what they want their society, their civilization, and their riches to look like. Sometimes it can be a bit worrisome that we don’t take it as seriously in this part.”

He therefore believes that pop culture should be taken seriously because “we are at a place in history and time that anybody who takes it seriously will be greatly rewarded either financially or as a legacy.”

Vanessa Obioha

Former U.S. President Barack Obama has continued his tradition of sharing a summer playlist, releasing his 2024 selection on his official X account. With the post already amassing over 11 million views and 84,000 likes, it’s clear the list has resonated with many.

“As summer winds down, I wanted to share some songs I’ve been listening to lately—and it wouldn’t be my playlist without an eclectic mix,” Obama wrote. “I hope you find something new to listen to!”

True to his word, the playlist features a diverse array of artists from across the globe, representing different generations and genres. They include Beyoncé’s ‘Texas Hold ‘Em,’ Bob Marley and The Wailers’ ‘Them Belly Full (But We Hungry),’ and Charli XCX ‘365.’

Nigerian stars Rema and Tems also secured spots on the list. Rema’s track ‘Yayo’ from his latest album ‘HEIS’ joins the playlist, continuing its success with over two million views on YouTube and more than 60,000 likes. Tems’ inclusion comes via her reimagining of the afro-soul classic ‘Love Me Jeje,’ originally performed by Seyi Sodimu and Shaffy Bello. This isn’t the first time these artists have been featured; Rema’s ‘Iron Man’ appeared in Obama’s 2019 playlist, while Tems’ ‘Vibe Out’ made the 2022 list.

Obama’s summer playlists have become a significant endorsement for artists, often boosting their global reach, even though sometimes short-lived. Apart from reflecting his eclectic taste in music, it has become a cultural barometer, putting both emerging and established artists in the spotlight. The tradition began in 2015 during his second term in office as a partnership with Spotify to engage young Americans in politics. Now, it has evolved into an eagerly anticipated annual event, typically released towards the end of summer in the U.S.

Over the years, several Nigerian artists have made the cut, including Burna Boy, Wizkid, Davido, and Ayra Starr. With Tems and Rema making the list this year, it shows the global appeal and recognition of Nigerian music.

With over two decades in the fashion industry, Olamide Agunloye, the renowned founder of Iconola, is now giving back to the fashion community through an innovative retail rental space and service known as BLK, writes Vanessa Obioha

The BLK building stands out on the busy Fola Osibo Road in Lekki, Lagos, with its distinctive yellow and black colours. Inside, an array of white-walled rooms houses various fashion items, from bags and shoes to clothes and fragrances. Like a maze, each turn reveals a new creative discovery, featuring iconic fashion and lifestyle brands.

“We house lifestyle brands that make the shopping experience a bit more holistic. So when people come in, they’re able to get almost everything they need in fashion,” said Olamide Agunloye, the brain behind the lifestyle brand, BLK.

Agunloye is a well-known figure in the fashion and interior design world. From a young age, she enjoyed sketching, encouraged by her father who provided her with drawing books, pencils, and paper. Despite being a Science student in secondary school and initially studying Petroleum Engineering at university, she discovered a passion for fashion through her numerous clothing sketches. A comment from her roommate, who often borrowed her textbooks, sparked the idea that she might have a future in fashion. This realization led her to call a family meeting, where she announced her decision to leave Petroleum Engineering to pursue a career in fashion. Despite her mother’s concerns, she assured her that determination and success would eventually win over any skeptics. 

With over two decades of experience, Agunloye made a name for herself with Iconola, Nigeria’s first recognized ready-to-wear brand. Her influence has since expanded, creating spaces and clothes for her numerous clients across the country. With BLK, she is doing something different. Think of it as a Selfridges store in Oxford, London which houses many lifestyle and fashion brands. She puts it this way: 

“BLK is retail rental space and services. It’s basically a customer renting space from us to stock their items, but we are also responsible for marketing and selling the products for you. We create social media content, reporting and remissions for the brands so that they can keep track of everything. We only charge a certain percentage on their sales,” she explained. “The layout is already taken care of by us which also saves you money. So you’re not coming in with any props or any furniture, everything in terms of that would already be provided for. We’re trying to just make it as seamless as possible for the designer.”

Agunloye was very intentional when designing the concept of BLK, ensuring it would not be mistaken for a department store.

“I understand the concept of department stores. I don’t necessarily like it just because the shopper goes to what they know. But for a place like BLK, it offers you variety. If you go to a lipstick section, for instance, you have a variety, and then you get introduced to brands that you haven’t been introduced to before, which gives a newbie designer or up-and-coming people who are just not breaking into a large market a chance to be in a bigger market. And I think it benefits the clients also because they get the best. They get to also choose what’s best for them rather than what others think is best for them.”

The idea for BLK, according to her, came in 2020 during the COVID-19 pandemic. 

“I was praying with someone, and she told me she had a vision of me starting another business, but it was not Iconola. In my mind, I wondered what other business God would be showing her if not Iconola.”

Initially skeptical, Agunloye waited four months for proof that the prophecy was indeed not about Iconola.

“I travelled right at the end of COVID. And then the idea suddenly came to me. It was like a light bulb, and I remember sketching the building, trying to get a plot of land and saying to myself that everybody would be under one roof. I just couldn’t shake it,” she said.

Not everyone immediately embraced the idea, but this year, BLK officially opened its doors. So far, about 45 brands have been onboarded, with a goal of 150 brands, primarily local. For Agunloye, BLK is a solution to the rental struggles and other running costs faced by fashion businesses.

“I dabbled into real estate for a while where I remodel and manage spaces. I was managing a building where I had tenants. That was during COVID. I realised that without the rental income I got from my tenants, how would I have survived as a designer? If you can imagine how much money the fashion industry has paid as rent over the past 10 years, that’s money that could have transformed the fashion industry.”

BLK alleviates this burden, freeing designers to focus on creativity.

“It is my way of giving back to the fashion community. It saves them from the stress of rent and allows them to be more creative. I’m not able to be creative when I’m thinking of rent.”

Agunloye also embraces collaboration over competition, a lesson learned during the pandemic.

“I always wanted to be the best creative as a younger person, but the pandemic taught me that there is no ‘top’ or ‘best.’ Rather than competing, it’s better to collaborate.”

Recalling her experiences, Agunloye shared how she used to refuse requests from people who wanted to use her models, space, and other services.

“I was protective because I thought it was all mine. But with BLK, I realized it’s better to do these things for others.”

Agunloye is known for her distinctive building designs, including the first black building in Lekki.

“There are about four or five black buildings in Lekki today, so when I was designing BLK, I didn’t want to have another black building which was why I settled for yellow. I’m hoping we will have an official pink or purple BLK  building in the future,” she concluded.

Vanessa Obioha

For its official launch in Africa, the iconic culture magazine RollingStone featured one of Africa’s legendary musicians and human rights activists, Fela Anikulapo-Kuti. The famous Nigerian Afrobeat legend’s revolutionary music and unwavering spirit inspired and continues to inspire generations. Therefore, RollingStone’s choice to feature him as its debut cover for its African edition is not lost on Nigerians, given the current climate, as the nation embarks on a 10-day nationwide protest today August 1, 2024. Fela was a renowned advocate for social justice.

Co-Founder and CEO of RollingStone Africa, D.R Bellegarde-Smerald, noted that while the cover art had long been decided, it was an unplanned coincidence that the launch also coincided with the same day as the nation’s planned protest.

“We wanted to begin this new chapter of RollingStone’s journey into Africa with a cultural icon of past, present and future,” he said. “Fela’s legacy as a pioneer of Afrobeat and a champion of African culture, talent and heritage is undeniable. His music, perspective and love of Africa continue to inspire all, not just in music, and that is why we chose to launch with him as our first icon.”

Fans and early followers of the platform’s social media handles have been treated to a series of captivating pre-launch teaser covers featuring the stunning work of visual artist Laolu Senbanjo. With a Pan-African audience, multiple languages and access limitations, RollingStone Africa has confirmed that they will be focusing more on digital engagement rather than traditional publishing, and readers can also expect a mobile app by MWANKOM Group, the company that acquired the license rights to set up RollingStone Africa, for even more content.

According to Co-Founder and Chief Technology Officer Samuel Panda, this was a strategic decision to ensure that the magazine would be more accessible to the widespread readership.
“Africans are everywhere, and there is no doubt that love for Africa extends beyond the continent and our neighbourhoods. Our goal is to be the beacon that connects and celebrates the global African community. Our subscriptions will be affordable, our content relatable, and we will be shining a light on artists, big and small, communities, voices and game changers who represent the African spirit,” he said.

Founded in 1967, the launch of RollingStone Africa marks a significant expansion of the magazine’s legacy of celebrating ground-breaking artists and cultural phenomena.

Vanessa Obioha

Following the announcement of Nigerian veteran musician Onyeka Onwenu’s death earlier Saturday, the President of the Performing Musicians Employers Association of Nigeria (PMAN), Pretty Okafor, shared his admiration for her legacy in a phone call with ������Ƶ.

“She leaves a beautiful legacy behind. A legacy of focus, hard work, perseverance, endurance, and the pursuit of a better life. This is what we should all remember her for,” he said.

Okafor fondly recalled how Onwenu used to accommodate him and his late partner Junior during their heydays as the musical duo Junior and Pretty. He described her as punctual and well-composed. “She had respect for herself, community, culture, and history. She is the most talented female musician to ever come out of Nigeria.”

As PMAN mourns the music legend, Okafor highlighted her enduring fight for musicians’’ rights.

“She was Vice-President of PMAN and, until her death, was among the few who would always fight for the intellectual property and royalties of musicians to be protected and go to the rightful owners. The union will greatly remember her in this capacity.”

Onwenu died on Tuesday, July 30, after performing at the 80th birthday party of Emzor Pharmaceuticals’ CEO, Stella Okoli.

By Vanessa Obioha

Nigerian veteran songstress and activist Onyeka Onwenu has reportedly died. According to the News Agency of Nigeria (NAN), the musician, known as the ‘Elegant Stallion,’ collapsed after performing at the 80th birthday party of Emzor Pharmaceuticals’ CEO, Stella Okoli. Onwenu was immediately rushed to Reddington Hospital, where she reportedly passed away.

The President of the Performing Musicians Employers Association of Nigeria (PMAN), Pretty Okafor, told ������Ƶ that he was yet to confirm her death with Onwenu’s family.

Onwenu, born on January 31, 1952, gained initial recognition as an employee of the Nigerian Television Authority (NTA). Her debut album, ‘For the Love of You,’ released in 1981, brought her further into the spotlight.

In the 1980s, she released numerous songs, including ‘Iyogogo,’ ‘One Love,’ ‘Choices,’ and ‘Wait For Me.’

Onwenu was also an accomplished actress, featuring in many Nollywood films, such as ‘Chain Reaction’ alongside Pete Edochie and Liz Benson, as well as ‘Half of a Yellow Sun’ and ‘Lionheart.’

She made significant contributions to politics, serving as the Chairperson of the Imo State Council for Arts and Culture in 2013 and later as the Director-General of the National Centre for Women Development in 2016. In 2011, she was awarded the National Honour of Member of the Order of the Federal Republic (MFR).

Vanessa Obioha

Nicolette Ndigwe is rapidly emerging as a reckoning force in the Nigerian film industry. Recognized as a rising star, this award-winning actor, writer, and producer from South Eastern Nigeria is hailed as “one of Africa’s young female producers making international strides.”

Following the success of her debut feature, ‘Before Valentines’—which captivated audiences for 43 days on Netflix’s Top 10—Ndigwe is now set to release her latest film, ‘On Different Grounds.’

Written nearly two decades ago, this romantic dramedy boasts an impressive cast from Nigeria, the USA, Ghana, and India, including Ms. Earth USA 2020, Abena Akuaba; Bollywood stars Vineet Raina and Nimesh Diliprai; and Nollywood stars like Ifeanyi Kalu, Uche Montana, and Jennifer Eliogu. The cast also includes Uche Jombo, Bambam Adenibuyan, Ebele Okaro, Aproko Doctor, and Bob-Manuel Udokwu.

Directed by Mildred Okwo and co-written with Writers Ink and Joy Oyediya, the film centres on a Nigerian family navigating the complexities of a wedding.

Ndigwe’s production company, Half a Buck & a Quarter Impressions (HB&Q Impressions Studios), is currently working on a slate of four international films scheduled between 2023 and 2025, with several already fully funded. ‘On Different Grounds’ will be a landmark project as the first Nollywood/Bollywood collaboration by a Nigerian producer and director.

“‘On different grounds’ is my way of fostering cultural cohesion through art and letting the world know that we are all more alike than we are different,” she said. “This movie is going to be one that every age and every culture will enjoy as well as showcase the beauty of a proper Nigerian wedding.”

Speaking on her choice of Okwo as director, Ndigwe said: “There aren’t many directors like her who would understand the nitty-gritty of the kind of story I wanted to tell and bring the nuanced traditional African heart of it to life.”

Ndigwe began her professional journey in filmmaking at 16 with the acclaimed film ‘Damage.’ By 22, she had already penned over 30 scripts and received multiple awards, including the Best of Nollywood Award for ‘Damage.’ Her advocacy short film, ‘Anave,’ funded by Sterling Bank, tackled maternal and child mortality due to malaria. Her debut feature, ‘Before Valentines,’ not only became Netflix’s second most-watched Nigerian film for the first half of 2023 but also earned international recognition, including Best Film at the Gold Film Awards in Milan.

Ndigwe’s artistic talent and innovative vision have established her as a transformative presence in Nollywood. Her work with ‘On Different Grounds’ exemplifies her commitment to pushing boundaries and setting new trends. In addition to her filmmaking achievements, she founded MACMME, a humanitarian organization that uses storytelling to address societal issues.

Her diverse upbringing, influenced by her political parents and exposure to Nigeria’s varied socio-cultural dynamics, has greatly informed her creative approach. Married to actor and producer Ifeanyi Kalu and mother to a young son, Ndigwe is poised for further success.

Looking forward, Ndigwe has secured funding for her next major project, set to be filmed in Nigeria and the UK. She is currently collaborating with the British Deputy High Commission to advance this endeavour and is focused on enhancing her brand and expanding the reach of her films.

Vanessa Obioha

The Nigerian Official Selection Committee (NOSC) for the Academy of Motion Picture Arts and Sciences (AMPAS) invites Nigerian filmmakers to submit their feature films for consideration in the International Feature Film (IFF) category of the 97th Annual Academy Awards (Oscars).

The NOSC, accredited by AMPAS, is responsible for choosing Nigeria’s official entry for the IFF Award.
The IFF Award is conferred annually by the Academy to a feature-length motion picture produced outside the United States which contains 50 per cent or more of dialogue in a language or languages other than English.
The Academy stipulates that submitted films must meet specific criteria, including providing accurate, legible English subtitles, adherence to particular shooting formats, and evidence of theatrical release—detailed information regarding these requirements is available on the NOSC website.

Despite previous attempts, Nigeria has yet to make the IFF award shortlist. With actress and filmmaker Stephanie Linus now leading the committee, there is renewed hope for a successful entry, especially following the various controversies that have plagued the committee in the past.

In a bid to strengthen its membership and meet its objectives, the committee has announced the addition of new members. These include the Managing Director of the Nigerian Film Corporation (NFC), Ali Nuhu; film producer and director Blessing Effiom Egbe; actress Ijeoma Grace Agu; Co-Founder and Group Chief Executive Officer of Filmhouse Cinemas Kene Okwuosa; and journalist, author, and film critic, Victor Akande.

According to Linus, the inclusion of new members brings together individuals with diverse creative backgrounds, enhancing the process of selecting the best film from Nigeria. The team is tasked with collecting, screening, and voting on entries to represent the country in the IFF category.

The submission portal will be open from August 1, 2024, to August 30, 2024, on the NOSC website.

The 97th Oscars ceremony is set for March 2, 2025, broadcasting live from the Dolby Theatre in Ovation Hollywood, Los Angeles, California, United States, to over 200 territories worldwide.

Vanessa Obioha

Today, July 26, marks the fifth anniversary of Burna Boy’s critically acclaimed album ‘African Giant.’ To commemorate this milestone, YouTube will livestream an exclusive YouTube Music Nights with the artist.

The YouTube Music Nights program places global superstar artists on intimate stages, creating an electrifying, money-can’t-buy experience and live video content that celebrates the unique connection between artists and their fans.

“We are thrilled to present Burna Boy on YouTube Music Nights, celebrating the 5th anniversary of his groundbreaking album, African Giant,” said Addy Awofisayo, Head of Music at YouTube in Africa. “This event exemplifies YouTube’s commitment to showcasing the best of global music and connecting artists with fans in unique and meaningful ways. Burna Boy’s artistry and impact are undeniable, and we can’t wait for the world to experience this special performance.”

Burna Boy, a Grammy award-winning artist, is one of the leading voices in the African music scene. With about five million subscribers on YouTube, the artist will grace the stage in an intimate setting and perform hit songs from the album.

“Celebrating the fifth anniversary of ‘African Giant’ with a special performance in London, supported by YouTube Music, has been an incredible experience,” he said. “This album holds a special place in my heart as it represents a pivotal moment in my career and a powerful statement of African pride. Performing these songs for my fans, who have supported me every step of the way, is a reminder of the journey we’ve shared and the cultural impact we’ve made together.”

Fans can watch the livestream on Burna Boy’s YouTube channel.