Ayodeji ake

Mothercare, the renowned parenting and childcare brand, is set to strengthen its presence in Lagos with the opening of a new store at Purple Mall, Lekki, on August 29, 2026.

For generations, Mothercare has remained a trusted name among parents, offering quality products designed to meet the needs of families at different stages of the parenting journey. As a SmartMark brand, the company has continued to expand its footprint in Nigeria, bringing its products and services closer to families across Lagos.

The new Purple Mall outlet is expected to provide parents and children with a welcoming shopping experience, featuring a wide range of products spanning nursery essentials, childcare needs and playful items for children.

According to the brand, the new store has been designed to combine colour, comfort and convenience, creating a family-friendly environment where parents can find essential products under one roof.

The grand opening on August 29 will mark another milestone in Mothercare’s expansion journey in Nigeria, as the brand continues its efforts to make quality parenting products more accessible to families.
Mothercare said it looks forward to welcoming parents and children to the new outlet and beginning a new chapter at Purple Mall, Lekki, with its commitment to care, quality and joy at the heart of the experience.

Amid cheers from students, colourful displays and an animated atmosphere at the University of Jos campus, the “Ololufe” crooner, Big Chinni, delivered a live performance at the 2026 Mr & Miss UNIJOS pageant held on Saturday, July 25, 2026.

Speaking on her performance at the event, the Afro Soul singer said, “Performing at Mr & Miss UNIJOS was about more than just music—it was about connecting with the next generation and celebrating everything this campus represents.”

Big Chinni was among the guest performers at the annual pageant, which brought together students to celebrate talent, confidence, fashion and creativity. Her performance added to the entertainment lineup of the event, with the singer describing the audience response as memorable. “The energy from the students was incredible, and it reminded me why live performances remain such an important part of my journey,” she said.

The pageant, which featured students competing for the Mr & Miss UNIJOS titles, was sponsored by NASCO Cornflakes and attracted members of the university community. The event provided a platform for students to showcase their talents while celebrating campus culture and creativity.

Reflecting on her participation, Big Chinni said performing at platforms that connect artistes with young audiences remains significant to her. “It’s always rewarding to be part of platforms that celebrate young people and inspire them to dream bigger,” she said.

Fashion, contemporary art and culture will converge at the historic Chichester Cathedral in West Sussex, United Kingdom, as LA MODE: Fashion Meets Art holds on July 31.

The event will bring together fashion designers, visual artists, photographers, stylists, collectors and other creative professionals for a day-long celebration of artistic excellence, innovation and collaboration.

According to the organisers, the initiative is aimed at creating a platform where fashion and contemporary art intersect, fostering conversations and partnerships across different creative disciplines.

The programme will feature fashion showcases, visual art exhibitions, live performances and networking opportunities, providing participants and visitors with an immersive creative experience.

Among the visual artists expected to exhibit their works are Chidozie Maduka, Mavic Chijoke Okeugo, Ibrahim Kareem, Anita Aleto, Ololade Oletubo, Vincent Okafor, Olusegun Balogun, Susan Kola, April Asemota and Okechukwu Obi.

Fashion designers billed to present their collections include Ella Lux, La Mode Fashion Design Brand, Vixteau Couture, Adenrele Couture, Radu Clothings, Ruthz Designs, Modi Atelier, Alare, Boriah Couture and House of Mimi.

The organisers said the exhibition is open to artists, designers, photographers, collectors, students and members of the public with an interest in fashion, art and creativity, adding that the event is designed to encourage collaboration and celebrate creative expression.

LA MODE: Fashion Meets Art will hold on Thursday, July 31, from 10 a.m., at Chichester Cathedral, West Sussex, United Kingdom.

Filmmaker Sandra Bremaud has fulfilled a promise she made to students of Odonguyan Senior Grammar School, Ikorodu, by donating desks and chairs to improve their learning environment.

The donation was carried out through her media production company, SBE Dynasty, in partnership with Ernest Bremaud and Angel Ayoka.

Bremaud said the intervention stemmed from a commitment made during a visit to the school last year, when she and her team donated school bags, sandals, writing materials and other educational materials.

According to her, the visit revealed that many students lacked adequate desks and chairs, prompting the team to pledge support.

“While interacting with the students and teachers, we noticed a need that couldn’t be ignored. Many students lacked adequate chairs and desks for learning,” she said.

She explained that the team decided to return to the school to honour that commitment instead of waiting for others to address the challenge.

“Rather than waiting for someone else to solve the problem, Angel Ayoka and SBE Productions chose to become part of the solution. Today, by God’s grace, we returned to fulfil that promise by donating desks and chairs to help create a more comfortable and conducive learning environment for the students,” she added.

Bremaud said meaningful impact often begins with identifying needs within one’s community and taking practical steps to address them.

“Every child deserves to learn with dignity. Every act of kindness creates a ripple of hope,” she said.

The donation was warmly received by the school community, with students and teachers expressing appreciation for the support and describing the gesture as a significant boost to the school’s learning environment.

Zotmann International Limited has been selected to receive the 2026 African Achievers Award for Excellence and Visionary Leadership in Africa in recognition of its contributions to business development and sustainable enterprise.

The award will be presented at the 16th African Achievers Awards Ceremony scheduled for July 22, 2026, at the House of Lords, Palace of Westminster, London. The event is expected to bring together business leaders, policymakers, diplomats and other stakeholders from across Africa and beyond.

According to an official notification issued by the organisers and signed by the Co-Chair of the Screening Committee, Selorm Kogi Dake, the company was selected by an independent panel of judges in recognition of its achievements, leadership and commitment to excellence.

The organisers stated that the award recognises organisations and business leaders that demonstrate innovation, resilience, ethical leadership and a commitment to sustainable development while contributing to economic growth and community development.

The award also acknowledges Zotmann International’s role in supporting industrial development, job creation and investment initiatives.

Reacting to the recognition, the General Manager of Zotmann International Limited, Benjamin Uzoka, described the award as a significant milestone for the company, saying it reflects its commitment to innovation, operational excellence and responsible corporate governance.

Headquartered in Lagos, Zotmann International has operations spanning solid minerals and mining, manufacturing, commodity trading and real estate development. The company said it remains focused on expanding its investments while contributing to Nigeria’s industrial growth and economic development.

The African Achievers Awards is an annual platform that recognises individuals and organisations whose leadership and contributions have made an impact across various sectors in Africa. The 2026 ceremony will hold at the House of Lords in London.

The organizers of the Eko Heritage Awards have announced Lexie Armani as the official host for the 6th edition of the prestigious awards ceremony, marking his return to the stage as the event’s master of ceremonies.

The ceremony is scheduled to take place on Saturday, July 25, 2026, at the Lagos Oriental Hotel, Victoria Island, Lagos.

Widely celebrated as the Most Bankable MC in Africa and popularly known as the 001 Of MCs, Lexie Armani has established himself as one of Nigeria’s most sought after event hosts. With over a decade of experience, he has anchored some of Africa’s most notable events, including The Headies Big Announcement, the African Fashion Designer Awards, and TikTok’s Level Up Africa, alongside numerous corporate, entertainment, and luxury events.

Beyond the stage, Lexie Armani has built one of the fastest-growing personal brands in the events industry. He commands a vibrant digital community of over 600,000 followers on TikTok and nearly 200,000 followers on Instagram, where his engaging event content, wedding moments, and insightful commentary consistently reach millions of people. His viral wedding matchmaking moments have earned widespread recognition, further cementing his reputation as one of Nigeria’s most influential Event Host/ MC

His return as host for the 6th Eko Heritage Awards reflects the organizers’ confidence in his ability to deliver an unforgettable experience that matches the prestige and cultural significance of the event.

With the theme “From Adversity to Stardom,” this year’s edition will celebrate remarkable stories of resilience, innovation, excellence, and impact across diverse sectors. The ceremony will recognize outstanding individuals, organizations, and brands whose contributions continue to advance the cultural, social, and economic heritage of Lagos State and Nigeria.

Guests can look forward to an evening of prestigious award presentations, captivating cultural performances, and special recognitions honoring Nigerians whose journeys from adversity to success continue to inspire others.

The 6th Eko Heritage Awards promises to be a memorable celebration of excellence, heritage, and national pride, with Lexie Armani set to bring his signature charisma, energy, and professionalism to one of the year’s most anticipated cultural events.

The Actors Guild of Nigeria (AGN), Edo State chapter, and the Performing Musicians Employers’ Association of Nigeria (PMAN) have thrown their support behind the forthcoming Edo Carnival 2026 as Peak Rendezvous Entertainment Global Limited officially unveiled the theme for the cultural festival.

Contrary to rumours making the rounds that artistes and key stakeholders in the entertainment industry were not being carried along in the planning of the carnival, the Edo State chapter of the Actors Guild of Nigeria (AGN), led by its Chairman, Opute , and the Performing Musicians Employers’ Association of Nigeria (PMAN) led by the Esther Edopkayi Ibagua threw their full weight behind the initiative and pledged unwavering support for the success of Edo Carnival 2026.

The groups commended the organisers for their inclusiveness and commitment to promoting the state’s rich cultural heritage.

The unveiling ceremony, held on Sunday, June 28, 2026, at Protea Hotel in Benin City, attracted government officials, celebrities, cultural stakeholders and guests from across the state.

The theme for the highly anticipated carnival, “The Spirit of Edo,” was adopted following extensive consultations by the organizers and key stakeholders. According to the organizers, the theme reflects the rich cultural heritage, unity and artistic excellence of the Edo people, while promoting tourism and showcasing the state’s cultural identity to the world.

Among the dignitaries present were Hon. Dr. Emmanuel Paddy Iyamu, representatives of Sazy Oil and Gas, Commissioner for Finance Hon. Emmanuel Okoebor, Commissioner for Information Prince Kassim Afegbua, Director-General of Tourism Lady Vivian Elabor, Commissioner of Police CP Monday Agbonika, Director of the Department of State Services Isaac Ikechukwu Chikere, and Nollywood actress and producer Yvonne Jegede.

Organizers expressed confidence that Edo Carnival 2026, under the management Peak Rendezvous Entertainment Global Limited, will deliver a memorable celebration of Edo’s rich artistic and cultural heritage.

Contemporary ceramic and pottery artist Halimah Badmus has been nominated for the prestigious Eko Heritage Awards 2026 in the category of Eko Outstanding Contemporary Artist of the Year. The nomination recognises her outstanding contributions to pottery and ceramics and her innovative use of art to promote climate change awareness and environmental sustainability.

Endorsed by the Lagos State Ministry of Tourism, Arts and Culture, the Eko Heritage Awards honour individuals whose work has made significant contributions to preserving, promoting, and advancing Nigeria’s rich cultural heritage.

Halimah Badmus is a contemporary ceramic artist whose practice engages thoughtfully with clay, form, and memory. Her work explores themes of identity, cultural heritage, human connection, and environmental consciousness. Rooted in the traditions of ceramic craftsmanship while embracing contemporary artistic expression, each of her pieces transforms earth into powerful narratives that bridge history, culture, and lived experience.

Her artistic journey has taken her across Nigeria, the United Kingdom, the United States, and Amsterdam, where her work has engaged diverse audiences and inspired conversations around heritage, migration, belonging, and the emotional significance of material culture. She is also a member of the Craft Potters Association (UK), reflecting her growing recognition within the international ceramics community and her commitment to excellence in both artistic practice and craftsmanship.

Beyond the studio, Halimah is passionate about using art as a platform for environmental advocacy. Through her ceramic works, exhibitions, workshops, and public engagements, she raises awareness of climate change and environmental sustainability. Her practice highlights the delicate relationship between humanity and nature, demonstrating that art can be both aesthetically compelling and socially impactful.

Halimah is widely recognised as one of the pioneering artists to introduce pottery and ceramic workshops into secondary schools and community settings in Oyo and Ondo States, Nigeria. This landmark initiative has expanded access to ceramic arts, inspired a new generation of artists, and contributed meaningfully to sustainable community development. Through exhibitions, educational programmes, collaborations, and community-based initiatives, she continues to advance contemporary ceramics while preserving cultural traditions and encouraging environmental responsibility.

She is nominated alongside Peter Kola, Alex Akano, Olumide Ake, and Grace Faniyi, all distinguished artists whose work has contributed significantly to Nigeria’s creative and cultural landscape.

The Eko Heritage Awards are presented annually to honour individuals whose work has strengthened the preservation and promotion of Nigeria’s cultural heritage. The Outstanding Contemporary Artist of the Year category celebrates artists whose creative excellence not only showcases Nigeria’s rich artistic traditions but also demonstrates innovation, cultural relevance, and lasting societal impact.

Halimah Badmus’ nomination stands as a testament to her unwavering commitment to artistic excellence, cultural preservation, arts education, and environmental advocacy. Her work continues to shape the future of contemporary ceramics while honouring the enduring legacy of Nigeria’s artistic heritage.

Afriwood Studios has officially unveiled the premium 3D production model of Shutter-Bird, Nigeria’s groundbreaking original superhero.

The completed high-quality 3D production model represents a major milestone in the Afriwood Universe. Built to professional production standards, it will serve as the master digital asset for animation, premium collectibles, merchandise, and future media projects.

“This is another bold step toward our vision of building a world-class African superhero universe,” said Urenna Amadi, Founder & Creative Director of Afriwood Studios. “We are committed to creating heroes that inspire audiences globally while proudly celebrating our culture, stories, and creativity.”

The Shutter-Bird production model is the first in a planned series of premium 3D character assets featuring heroes and villains from the expanding Afriwood Universe, including Udo, Ije, Zazuu, and more.

This milestone further strengthens Afriwood Studios’ development across original comics, animation, games, music, films, and collectibles—all within one connected African superhero universe.

About Afriwood Studios

Afriwood Studios is an African-led entertainment company dedicated to creating original African superheroes and compelling stories through comics, animation, films, games, collectibles, and family entertainment for audiences worldwide.

Fashion designer and creative director Sefiya Unlimited has unveiled Eden After Innocence, a couture creation that blends fashion, symbolism and storytelling in a striking reinterpretation of the biblical Garden of Eden.

The piece, unveiled under the Glamgirl by Sefiya label, explores themes of beauty, temptation, transformation and self-discovery through an elaborate design that pushes the boundaries between fashion and art.

Featuring a dramatic blush-pink silhouette, the couture ensemble is distinguished by its voluminous skirt adorned with butterfly embellishments and floral details, creating a dreamlike aesthetic inspired by paradise. The design draws viewers into a visual narrative that reflects both innocence and the complexities of human choice.

Central to the creation is the incorporation of the serpent, one of the most recognizable symbols from the Eden story. Rather than serving as a decorative accessory, the serpent is woven into the overall styling and structure of the garment, reinforcing the themes of temptation, knowledge and transformation. The inclusion of fruit motifs further strengthens the narrative, creating a layered interpretation of one of history’s most enduring stories.

According to the designer, the concept was developed as a contemporary exploration of the Garden of Eden, using couture as a medium for artistic expression and visual storytelling.

Beyond the garment itself, the presentation incorporates lush floral elements and botanical surroundings that extend the narrative into an immersive fashion experience. Butterfly details symbolize rebirth and evolution, while the garden-inspired setting offers a modern vision of paradise.

The piece also highlights the craftsmanship behind the brand’s couture work. Intricate embellishments, carefully considered textures and balanced proportions demonstrate meticulous attention to detail, resulting in a design that remains cohesive despite its rich visual complexity.

As fashion continues to embrace storytelling as a key element of creative expression, Eden After Innocence stands out as a work that invites interpretation beyond aesthetics. The creation encourages audiences to engage with deeper themes while appreciating the artistry of couture design.

With the unveiling of the piece, Sefiya Unlimited reinforces its commitment to using fashion as a platform for imagination, symbolism and artistic innovation, presenting a garment that functions as both couture and visual narrative.

Ayodeji Ake

Small and medium enterprises (SMEs) account for over 96 per cent of businesses in Nigeria, contributing approximately 48 per cent to GDP, and employing nearly 84 per cent of the workforce. Globally, SMEs represent more than 90 per cent of businesses and contribute significantly to employment and economic development across emerging and developed markets.

Despite this, many SMEs face persistent challenges in financial forecasting, risk management, and operational resilience, particularly in an increasingly volatile and interconnected global economy.

In Nigeria, these challenges are compounded by inflationary pressures, exchange rate volatility, limited access to credit, and infrastructure constraints. As global markets become more competitive and digitally driven, the need for smarter, data-driven financial systems is urgent.

Addressing these challenges is at the core of the groundbreaking study titled “Data-Driven Financial Optimization for Small and Medium Enterprises (SMEs): A Framework to Improve Efficiency and Resilience in Local Economies,” led by Monisola Beauty Ayankoya, a data science and analytics professional with a Master’s degree in Statistics and Analytics from the University of Arkansas. Monisola’s work is rooted in improving financial systems for SMEs while aligning with broader global economic realities.

Her research focuses on how artificial intelligence (AI) and predictive analytics can be leveraged to enhance financial decision-making, improve operational efficiency, and build resilience for SMEs operating in both local and international markets.

A member of several respected organizations, including the Institute of Industrial & Systems Engineers (IISE), Association for Computing Machinery (ACM), Fintech Association of Nigeria (FINTECH NGR), Association of Federal Enterprise Risk Management (AFERM), Institute of Electrical and Electronics Engineers (IEEE), and INFORMS, Monisola continues to play a pivotal role in advancing data-driven innovation across industries.

As part of her research, she is developing AI-powered frameworks designed to help SMEs optimize financial forecasting, reduce inefficiencies in planning, and strengthen long-term operational performance. For Nigerian and global SMEs, these solutions are impactful in navigating uncertainty, improving cash flow management, and making informed strategic decisions. At a global level, such frameworks position SMEs to compete more effectively in cross-border markets and adapt to rapidly evolving economic conditions.

Her AI-driven predictive modeling framework has already demonstrated a 30 per cent improvement in financial forecasting accuracy and a 25 per cent reduction in planning errors. These outcomes are significant for Nigerian SMEs, many of which operate with limited financial visibility, as well as for SMEs globally that require precision and agility to remain competitive in complex market environments.

Beyond forecasting, Monisola Beauty Ayankoya’s research is advancing the adoption of Explainable Artificial Intelligence (XAI) in financial decision-making. One of the major barriers to AI adoption worldwide is the lack of transparency in automated systems used for credit scoring, fraud detection, and regulatory compliance.

Her work focuses on making AI models transparent, interpretable, and trustworthy, ensuring that both financial institutions and SMEs can understand and rely on AI-driven decisions. In Nigeria, this is particularly important for improving access to finance and building trust in digital financial services.

Globally, it aligns with increasing regulatory expectations around ethical AI, accountability, and fairness in financial systems.
The broader impact of this research extends beyond individual businesses.

By enabling SMEs to optimize operations and strengthen decision-making, Monisola’s work directly contributes to economic growth, job creation, and financial inclusion in Nigeria, while also supporting the resilience and competitiveness of SMEs in the global economy. As the world continues to experience economic shifts, technological disruption, and increasing interconnectedness, empowering SMEs with advanced financial tools is critical.

Monisola’s research bridges the gap between local challenges and global opportunities, providing scalable solutions that can be adapted across different markets.

Monisola Beauty Ayankoya’s work represents a futuristic approach to SME development, one that leverages AI to drive efficiency, transparency, and resilience. By equipping Nigerian SMEs with the tools to thrive locally and compete globally, her contributions are helping to shape a more inclusive, innovative, and sustainable global economy.

By Ayo Ake

A scroll through Kelechi Chantel Anyanwu’s sponsored content reveals an unusually wide spread of industries for a single creator: a global search engine, an online therapy platform, two cross-border remittance services, a freelance marketplace, and one of Nigeria’s largest telecom operators. Most creators specialize narrowly enough that their brand roster reads as one category. Anyanwu’s does not.

Her collaborations include Google, Skillshare, BetterHelp, Fiverr, BookBolt, Sendwave, LemFi, Infinix, TapTap Send, and MTN, alongside numerous Nigerian companies. That range, spanning technology, financial services, education, and consumer products, reflects a platform built on fashion, confidence, and personal development content broad enough to plausibly intersect with very different categories of products.

What distinguishes her sponsored work structurally, according to marketers who have studied creator-led campaigns in the Nigerian market, is the avoidance of the inserted-product approach common to standard influencer marketing. Campaigns built around her channel typically start from a genuine overlap between a brand’s offering and an existing need among her audience, then construct the content around that overlap rather than dropping a product into an unrelated video.

Her five years in corporate IT support, at Wakanow Limited from 2014 to 2019, appear to carry over directly into how she handles technology and fintech partnerships specifically. Where many creators lean entirely on a marketing script when discussing a technical product, her prior experience explaining systems issues to non-technical users gives her a baseline fluency that several of her technology-sector partners have pointed to as a differentiator.

That fluency has translated into repeat business. Several brands on her roster, including Google and Sendwave, have returned for multiple campaigns rather than a single placement, a pattern marketing analysts generally treat as a stronger signal of measurable return than goodwill alone. Repeat partnerships of this kind remain relatively uncommon among Nigerian creators outside the largest subscriber tiers.

As brand budgets continue shifting toward creator-led marketing and advertisers grow more selective about who they associate with, Anyanwu’s roster offers a specific, traceable example of the broader shift the industry has been discussing for several years: away from reach as the primary currency, and toward credibility and demonstrated audience trust as the metric that actually moves a partnership from a single campaign into a standing relationship.

That roster, spanning Google, Skillshare, BetterHelp, Fiverr, BookBolt, Sendwave, LemFi, Infinix, TapTap Send, and MTN across technology, fintech, education, and telecom, sits alongside an audience of more than 100,000 across YouTube, Instagram, and TikTok, and a five-year corporate IT background at Wakanow Limited that continues to shape how she handles technical and financial-sector partnerships specifically.

By Ayodeji Ake

For many young Nigerians, gaining admission into a top international university remains an ambitious dream. For Oluwatosin Adewale, that dream has become a journey marked by excellence, leadership and groundbreaking scientific research.

The Nigerian scholar has reached another defining moment in his academic career after successfully passing his PhD candidacy examination in Medicinal and Pharmaceutical Chemistry at the University at Buffalo, New York. The achievement, which comes after two years of intensive research and coursework, officially advances him to doctoral candidacy and places him on the final stretch toward earning a PhD.

In the same period, Adewale received the 2024 Mattern-Tyler Teaching Award, one of the Department of Chemistry’s highest recognitions for graduate instructors. The award honours teaching assistants who demonstrate exceptional mastery of their discipline, dedication to students and excellence in classroom instruction.

His achievements extend far beyond teaching. Adewale’s research explores the molecular mechanisms of enzymes linked to drug discovery, particularly DXR and HDAC11, with the long-term goal of designing more potent therapeutic agents capable of addressing major global health challenges. His work represents the kind of cutting-edge science that continues to position African researchers among contributors to international scientific advancement.

Outside the laboratory, he has become a respected voice within the academic community. As President of the Nigerian Graduate Students Association at the University at Buffalo, he has provided leadership to hundreds of graduate students while promoting academic collaboration, cultural exchange and student welfare. His expertise has also earned him appointment as a judge at the Ohio Academy of Science State Science Day, where he evaluates innovative scientific projects presented by young researchers.

Before beginning his doctoral journey in the United States, Adewale graduated from Osun State University with a Second-Class Upper Division in Biochemistry, earning a remarkable CGPA of 4.43 on a 5.00 scale.

His success story is also closely linked to the prestigious Michael Taiwo Scholarships, an initiative founded by Dr. Michael Taiwo to remove financial barriers preventing talented students from developing countries from pursuing graduate education abroad. Through financial support for standardised tests and graduate school applications, as well as sustained mentorship from application to admission, the programme has empowered hundreds of promising scholars to secure places in leading universities across the world. Adewale was one of 46 scholars selected from a pool of 10689 applicants across 52 countries in 2022. The 2022 MT Scholar is one of the programme’s many success stories.

His latest achievements reaffirm the impact of investing in talent. They also highlight how strategic mentorship, access to opportunity and personal determination can transform academic potential into global excellence.

As congratulations continue to pour in from colleagues, mentors and members of the MT Scholars Community, Oluwatosin Adewale’s story stands as a compelling reminder that Nigerian scholars are not only competing on the world stage—they are helping to shape it.

By Ekene Ezeumeanya

Laju Iren Films has unveiled the official teaser for Onobiren, a highly anticipated film scheduled for cinema release on March 6, 2026, with tickets available for preorder from January 30.

Onobiren, which means “woman” in Itsekiri, is a celebration of women, faith, and African storytelling. Written and executive produced by Laju Iren, the film is directed by Famous Iraoya, director of Finding Nina. Principal photography took place in Warri and Lagos, making it the company’s biggest production to date.

Speaking on the project, Laju Iren said:
“Onobiren is a film that is so dear to me personally and to all of us at Laju Iren Films. We need more like stories that elevate women, and the men who support them, spotlight Africa positively, and showcase the intersection between life and faith. Shot in Warri and Lagos, it is also our biggest film yet in terms of production; it is fitting that this is our first film in brick and mortar cinemas and we cannot wait for the world to see it”.

The film stars Patience Ozokwo, Deyemi Okanlawon, Bisola Aiyeola, Ruby Akubueze, Chude Jideonwo, Desmond Bryce, and others.

Produced with support from Africa No Filter and CC Hub Creative Economy, Onobiren aims to tell authentic African stories that resonate across generations. The film was also selected for Entertainment Week Africa and the London Lift Off Festival.

The teaser shared late December 2025, has since generated widespread buzz on social media, attracting rave reviews and building anticipation ahead of its cinema release.

For rising singer, songwriter, and producer Livia, real name AGU Oluchi Olivia, music is not just a career, it is a calling forged in defiance. At just seven years old, she challenged a deeply held belief in her primary school: that only boys could play musical instruments.

“I fell in love with the rhythms of the percussions,” Livia told us in an exclusive interview. “But I was told ‘only boys play instruments.’ I didn’t accept that.”
She didn’t just join the all-male school band; through relentless practice, she became its best drummer. That early victory didn’t just earn her respect, it paved the way for other girls in her school to pick up an instrument. It also set the tone for a career built on skill, versatility, and self-sufficiency.

FROM DRUMS TO STUDIO BOARDS

Her musical appetite only grew in secondary school, where she learned to play the guitar, keyboard, clarinet, and saxophone. The guitar became her favourite companion for early stage performances.

Her first studio experience came in Senior Secondary 1 (SS1), recording a farewell song for graduating seniors. That moment sparked a new ambition: music production. “I wanted to understand how to build a song from the ground up,” she said.
While studying at university, she put that knowledge to work. In 2019, she released her debut single “POCO,” which gained immediate traction on campus and received airplay on Inspiration 92.3 FM. She followed up in 2021 with “TOUCH & FOLLOW,” which expanded her public profile and streaming numbers.

Crucially, Livia moved from being just a vocalist to being her own producer. “I started recording and producing for myself,” she noted. This hands-on approach has defined her artistic identity.

GEARING UP FOR DEBUT EP AND BEYOND

LIVIA’s first extended play (EP), titled Rhythms and Soul, is powerful. She describes the project as containing “fresh and different versions of myself,” reflecting her experiences as a young woman navigating life and the music industry.

For Livia, the drive to create stems from a deep-seated belief in music’s transformative power. “The soothing melody and reverberation of beats continually strikes a chord in my heart,” she shared. “To make the world see through my looking glass on how one song, one tone, one beat, can change your life, that’s why I became an artiste.”

With her debut EP on the horizon, Livia represents a new wave of Nigerian female artists who are not just singers but accomplished musicians and producers. Her journey from the primary school bandroom to the production studio underscores a clear message: she is in full control of her sound.
“My musical journey is just beginning,” she said. “I look forward to more exciting and life-changing projects to come.”

Popular media personality Steve Onu, widely known as Yaw, alongside veteran disc jockey Jimmy Jatt, will host the second edition of the Rewind Flashback Concert on December 28 at the Transcorp Hilton Hotel, Abuja, and December 30, 2025, at Eko Hotel and Suites, Lagos.

Billed with the theme The Legends Are Back, the concert is expected to reunite several artistes whose songs shaped Nigeria’s airwaves in the late 1990s and early 2000s, an era widely regarded as formative in the evolution of the country’s modern pop culture.

Leading the lineup are D’banj, 9ice, and Juju music icon Shina Peters. Other artistes billed for the event include J.Martins, Styl Plus; African China, Dr Sid, Cynthia Morgan, Bigiano, Black Reverendz, DJ Zeez, Zulezoo, Inferno, Danfo Driver, Kasbeat, Marvellous Benji, Ayangba and Lexy Doo.

Industry watchers say the concert reflects a growing interest in catalogue music and legacy acts, as audiences continue to show strong demand for live performances built around familiar sounds and shared memories.

With DJ Jimmy Jatt on the turntables, the organisers are expected to curate performances that cut across genres such as hip hop, Afrobeats, reggae, dancehall and Juju, highlighting the diversity that shaped Nigerian music in earlier decades.

The producer of the event, Steve Onu (YAW) said the reason for the show is because alot of times people plan events and not consider these demography so he decided to team up with Jimmy Jatt to attend to these artistes and fun seekers that are left out.

Yaw also thanked the event’s sponsors, Interswitch, Foreshore Waters and FirstBank, for their support ahead of the concert.

In an exclusive conversation, Ayodeji Ake quizzed Adebayo Oyenubi FNIQS, MRICS, PQS, a Cost & Commercial Management practitioner currently working with a Fortune 500 corporation in the United States. They spoke about the significant transformation and the importance of Artificial Intelligence (AI).

To start, the phrase “Building Smarter, Not Harder” is catchy, but what does it really mean for Construction professionals in Nigeria and quantity surveyors in Nigeria?

‘Building Smarter, Not Harder’ for Construction professionals means “Adopting Lean Construction Principles(minimizing waste and improving processes), enhancing technology(use of digital tools and platforms, BIM, Drones—IoT sensors, Improving Planning & Collaboration, Prioritizing Quality and sustainability. For the Nigerian Quantity Surveyor, it is fundamentally about a paradigm shift from traditional, often manual, and reactive practices to a data-driven, proactive, and efficient workflow. It means leveraging Artificial Intelligence to automate tedious tasks, such as elemental cost measurement and data entry, freeing professionals to focus on high-value activities, including complex cost analysis, risk management, and strategic decision-making. In a market often plagued by project delays and cost overruns, “smarter” means using predictive analytics to foresee challenges before they hit the site, thereby optimizing resource management and enhancing profitability.

How would you describe the current level of AI integration within Nigeria’s construction industry, and how does this compare to global trends you’ve observed?

AI integration in Nigeria is still in its nascent stages, particularly when compared to highly digitalized global markets in North America or Europe, where AI and Building Information Modelling (BIM) are more established. While many Nigerian firms have adopted basic computer usage and some software for estimation, core AI applications remain limited. However, there is a growing interest and recognition of its potential. Interestingly, a recent survey indicated that Nigerian engineers were among the most frequent daily users of AI globally for tasks such as design work, suggesting an eagerness to adopt new technology once it is available. The gap lies in the depth of integration and the availability of sophisticated local infrastructure.

Many professionals fear AI will replace human roles. As a Quantity Surveyor with membership across several professional organizations, what is your message to the profession regarding job displacement versus role transformation?

My message is clear: AI is a powerful enhancement tool, not a replacement. I was privileged to speak at the NIQS Osun State Investiture, and I made that clear in my statement. AI is intended to take over repetitive tasks, not professional judgment. The human element—ethical decision-making, negotiation skills, site experience, and stakeholder collaboration—remains irreplaceable. The profession is transforming, and the key to remaining relevant is upskilling. We must embrace digital literacy and data science skills. Quantity Surveyors who adapt will evolve into “BIM Managers” or “AI integration specialists,” managing digital workflows and providing more accurate, data-backed advice than ever before. Those who do not will become irrelevant and outdated. This we must understand is the most consistent thing in life- change.

Can you provide specific, real-world examples of how AI can be used today on Nigerian construction sites to achieve better cost control and efficiency?

While widespread integrated adoption is limited, pilot projects and some leading firms are exploring AI in niche areas. Examples include: 

Automated Estimation: Using machine learning to analyze past project data and historical costs to generate more accurate initial cost estimates, reducing human error. This proactive approach helps avoid budget overruns caused by sudden price hikes and minimizes project delays due to supply chain snags, a frequent issue in Nigeria. Instead of manual, error-prone measurements from paper blueprints, Quantity Surveyors (QS) use AI-powered software (such as STACK, Togal.AI, Planswift, and Cost X) to automatically extract quantities from digital designs and Building Information Models (BIM). This dramatically speeds up the pre-construction phase, improves estimate accuracy, and frees up QS professionals for more strategic, value-added tasks, reducing labor costs associated with manual processes.

Predictive Risk Analytics: AI models (e.g., Autodesk Construction) can analyze thousands of data points to predict potential delays or cost overruns due to local supply chain volatility, enabling cost managers to intervene proactively. This helps with effective resource allocation and enables proactive adjustments to project plans, ensuring projects are completed on time and within budget, a major factor in controlling costs.

Material Management Optimization: AI can help forecast material needs more accurately, minimizing waste, a significant challenge in Nigeria, and optimizing logistics. Specifics like Kojo, Conwize, Oracle, etc.

What specific AI tools are proving most effective in mitigating traditional Nigerian construction challenges like material wastage and project delays?

To mitigate material waste, AI tools reduce it primarily through precise estimation and optimized inventory management, thereby preventing the traditional Nigerian challenge of over-ordering materials. Togal.AI, PlanSwift, Cost X, onscreen take off etc: These automated takeoff tools digitize measurements from blueprints with up to 98 per cent accuracy. This eliminates manual estimation errors that frequently lead to surplus material waste on Nigerian sites. However, there must be human oversight. Zoho Inventory and  Inflow: Identified as frequently used in regions like Lagos, these AI-enhanced inventory tools automate stock tracking and demand forecasting to prevent material deterioration from prolonged on-site storage. Generative Design (e.g., Autodesk Forma, Autodesk Fusion 360, Market, Testfit): These tools optimize architectural layouts during the design phase to minimize the actual quantity of raw materials needed for structural integrity. These can be used for Site planning, Layout optimization, Structural design, Façade design just to mention a few. Project delays in Nigeria, often caused by poor scheduling or unforeseen risks, are being mitigated through predictive analytics and real-time site monitoring.  ALICE Technologies: This scheduling engine simulates thousands of “what-if” scenarios to find the most efficient path. If a delay occurs—such as a labor strike or material shortage—it can instantly generate a new optimized schedule to recover lost time. Buildots and OpenSpace: These tools use 360-degree cameras (often mounted on hard hats) to capture site progress. The AI compares actual progress against BIM models, automatically flagging discrepancies or work falling behind schedule. nPlan: Using historical data from millions of past schedules, nPlan predicts which specific tasks are most prone to delays, allowing managers to allocate resources proactively. Drones Deploy automate high-cost site surveying, providing real-time data for progress monitoring and identifying bottlenecks that manual inspections might miss.  Strategic Integration Tools

For broader operational efficiency, Nigerian firms are adopting comprehensive platforms that unify these AI capabilities.  Procore (with AI Copilot): Used by larger enterprises to automate document reviews (RFIs and submittals) and provide predictive risk alerts for safety and scheduling.

Zepth: Offers AI-driven dashboards specifically for risk, cost, and quality insights, helping managers maintain financial control and prevent budget-driven delays. Autodesk Construction Cloud: Integrates AI for clash detection, identifying design conflicts early to avoid the costly rework and delays common in complex Nigerian infrastructure projects

While adoption faces challenges like cost and skills gaps in Nigeria, these tools offer significant boosts to efficiency and project completion.

Corruption and lack of transparency are historic issues in Nigeria’s construction sector. How can AI-powered systems, particularly in procurement and project monitoring, enhance accountability and reduce financial leakages?

AI offers a powerful mechanism for transparency and accountability.

Automated Auditing: AI systems can track every transaction and procurement decision, instantly flagging anomalies or deviations from standard procedures, making financial leakage harder to conceal. Transparent Procurement: Implementing smart contracts, which are self-executing agreements on a blockchain platform, can automate payments upon verifiable completion of work stages, removing discretionary human intervention that often fuels corruption. Real-time Monitoring: AI integrated with site monitoring tools provides an unbiased, continuous record of project progress, which can be shared with all stakeholders, improving trust and ensuring projects align with initial budgets. 

What are the primary barriers hindering the broader adoption of AI in the Nigerian construction industry?

The barriers are multifaceted: High Initial Cost: The capital required for advanced hardware (like high-performance GPUs) and software is a major deterrent for many local firms, especially SMEs.

Inadequate Infrastructure: Unreliable power supply and inconsistent internet connectivity significantly disrupt the continuous operation and data processing required by AI systems.

Talent Shortages: There is a notable gap in professionals with the requisite AI and data science skills, a challenge exacerbated by the ‘brain drain’.

Cultural Resistance: A lingering resistance to technology by some stakeholders and the fear of job losses present a cultural barrier that needs addressing through awareness and education.

Nigeria has unique challenges, such as unreliable power supply and a varying digital infrastructure. How can AI solutions be tailored to thrive despite these local limitations?

Solutions need to be robust and localized. We must focus on:

Cloud-Based Solutions with Offline Capability: Utilizing cloud services for heavy processing (once connectivity allows) but ensuring core functionalities can run offline during power outages.

Localized Data Repositories: Developing in-house or industry-wide localized databases to reduce reliance on international cloud services, addressing both connectivity and data security concerns. Simplified User Interfaces: AI tools should be designed with simple, intuitive interfaces that minimize the need for on-site IT specialists.

Data is crucial for training AI algorithms. Do you think there is a concerted effort within the Nigerian industry to create high-quality, standardized local cost databases necessary for effective AI implementation?

Efforts have been ongoing for years to establish a formidable construction cost data bank in Nigeria, primarily through initiatives by the NIQS (Nigeria Institute of Quantity Surveyors). I still remember the days when cost books were published for each state of the federation. However, widespread standardization remains a challenge due to the industry’s fragmentation and the lack of a universal data-sharing culture. The current National AI Strategy encourages digitization across sectors to generate comprehensive datasets, which I hope will improve data availability and quality for future AI training. 

What specific initiatives do you think the Nigerian Institute of Quantity Surveyors (NIQS) and other professional bodies in Nigeria undertake to train their members and bridge the digital skill gap?

While I may not be very elaborate about other professional bodies, I can speak about the NIQS, and I believe the NIQS recognizes the urgency of this transition. This is exemplified in the following programs sponsored by NIQS. Continuing Professional Development (CPD) Programs: The institute regularly organizes mandatory CPD activities, lectures, and seminars that increasingly cover digital technologies, BIM, and AI applications to enhance competence.

Collaboration: The NIQS FCT Chapter, for instance, has collaborated with agencies like NITDA to host workshops on digital transformation, including AI and blockchain.

Advocacy for Education: We advocate for the integration of modern digital tools and AI literacy into university curricula to prepare the next generation of quantity surveyors. I am aware that the Stakeholder Validation workshop with the National Universities Commission in November 2025 is one example. The NIQS FCT Chapter Workshop in September of 2025 etc.

The professional boundaries between quantity surveyors and other professionals sometimes blur in Nigeria.

 How can leveraging AI tools help define and solidify the Quantity Surveyor’s essential role in the digital age?

AI helps solidify our role as the undisputed experts in construction economics. By utilizing AI for precise cost modelling, predictive analysis, and value engineering, Quantity Surveyors can provide insights that other professionals simply cannot match manually. We become the “architects of change” in the built environment, using data analytics to inform design, manage costs, and enhance overall project viability, reinforcing our unique and critical function.

Are there any conversations at the regulatory or government level about creating a national framework or policy to guide the ethical and effective use of AI in Nigerian construction?

Yes, the conversation is active. Nigeria does not yet have a single law specifically regulating AI in construction, but the government has launched initiatives such as the National Centre for Artificial Intelligence and Robotics (NCAIR). A comprehensive National AI Strategy has been unveiled, and a proposed AI Bill is in the works, which aims to align with the existing Nigeria Data Protection Act (NDPA) 2023 to ensure data privacy, transparency, and accountability in AI use. This shows commitment to a structured, ethical adoption of AI. 

In five years, what do you predict the average Quantity Surveying practice in Nigeria will look like with AI integration?

In five years, I foresee the average sophisticated Nigerian practice being significantly more efficient and tech-enabled. They will be cloud-connected, leveraging BIM and AI for most routine tasks. The reliance on manual methods will diminish, replaced by real-time data input from sites via mobile devices and potentially IoT. QS professionals will be more integrated into multi-disciplinary digital teams, offering faster, more accurate preliminary cost advice and becoming essential risk managers rather than just historical cost counters.

For young construction professionals and students in Nigeria, what key skills should they focus on developing today to remain relevant in this AI-driven future?

They must prioritize a blend of traditional expertise and digital proficiency.

Digital Literacy: Proficiency in BIM software, data analytics platforms, and general AI tools is non-negotiable.

Problem-Solving and Critical Thinking: AI provides the data, but humans must interpret it and solve complex, non-standard problems.

Communication and Collaboration: Working within digital ecosystems requires seamless communication across various professional teams.

Adaptability: Technology will continue to evolve, so a mindset of lifelong learning is essential.

Finally, what is the most critical action the Nigerian construction industry needs to take right now to fully harness the potential of AI for sustainable development and cost efficiency?

The most important action is to prioritize collaborative investment in robust digital infrastructure and capacity building. This requires a partnership among the 


Come On Naija has officially begun principal photography on its newest cinematic undertaking, Iwe Ala (Book of Dreams), with distinguished Nollywood actor Owobo Ogunde set to lead the cast.

A performer whose name carries history, craft, and cultural weight, Owobo is the son of the legendary Hubert Ogunde, widely celebrated as the father of Nigerian theatre and a foundational pillar of the modern Nigerian film and performing arts landscape.
His lineage places him within a powerful continuum of artistic excellence — one he continues to honour with each new screen appearance.

Over the past few years, Owobo has emerged as one of Nollywood’s most compelling and technically refined actors, known for delivering performances marked by immersive emotional truth, razor-sharp discipline, and an instinctive command of screen presence.

Directors frequently praise his process as “rigorous, precise, and deeply internal,” qualities that have quickly placed him among his generation’s most respected talents.
In this new film from Executive Producer Olawumi Fajemirokun and Director Adeoluwa Owu (Captain Degzy), Owobo steps into what is already being regarded as one of his most demanding and transformative screen performances.

Speaking from set, he described the project as “one of the most spiritually and artistically charged productions I’ve taken on — a film with impact, depth, and resonance.”

The film Producer, Kene Egbue has expressed profound admiration for Owobo’s work on the production, stating that the actor brings “extraordinary nuance, emotional intelligence, and a theatre-rooted precision that elevates every frame. His interpretation is bold, layered, and deeply affecting.”
Joining Owobo — an actor of pedigree — is an impressive ensemble that includes industry titan Dele Odule, award-winning actress Mercy Aigbe and many more. Together, the cast represents a rare fusion of legacy, star power, and next-generation energy.

Iwe Ala (Book of Dreams) stands as one of Come On Naija’s most ambitious undertakings to date — a project that blends cultural richness, visual elegance, and the emotional sweep of prestige African cinema. With production fully underway, anticipation is rising across Nigeria’s creative industry and among global African film audiences.

With Owobo Ogunde leading the film, expectations are high. His distinctive artistic voice, powerful heritage, and uncompromising approach to performance make this project a significant milestone — not just for the production team, but for Nollywood itself. Iwe Ala is poised to become one of the most talked-about Nigerian film releases of the coming year.

Emerging from Lagos, a city known for its relentless pace and creative intensity, Ayodeji Akinde represents a generation of artists shaped by both cultural depth and survival instincts. As the youngest in a large family, he grew up observing resilience early, an attribute that now defines his artistic journey.

Music entered his life through the Cherubim and Seraphim church, where sound and spirituality are inseparable. Singing in choirs, rehearsing for choreographed church concerts, and playing percussion instruments formed his earliest musical training. These experiences didn’t just teach him technique; they instilled discipline and reverence for sound.

In 2016, Aayo relocated to the United States, a move that exposed him to broader musical influences while sharpening his sense of identity. Distance from home became clarity rather than confusion. It was during this period that he recognised music as more than passion—it was purpose.

By 2018, that realisation materialised into action with the release of his first single. The studio experience was transformative. For the first time, his ideas translated into professionally produced sound, confirming his belief that growth was inevitable if he stayed committed.

Musically, Aayo stands at an intersection. While Afrobeats anchors his sound, his work incorporates elements of trap, Afro-fusion, and contemporary global styles. Yet, his Yoruba heritage remains unmistakable. From rhythmic phrasing to storytelling, his cultural background is woven into every performance.

Lagos also gifted him something less musical but equally important: hustle. Navigating the industry independently meant managing logistics, financing projects, and overcoming unexpected setbacks. One incident involving a delayed video shoot due to a vehicle breakdown highlighted the vulnerability of working without a support system.

Rather than discouraging him, such moments strengthened his resolve to build a structured team and long-term vision. His songwriting now draws from lived experiences, aspirations, and deep reflection. Often beginning with melody, his creative process flows intuitively from sound to story.

Ayodeji Ake

Nigerian singer Seyi Vibez has cemented his position as Audiomack’s most-streamed African artist, surpassing 2.2 billion global streams on the platform. According to publicly available streaming data, Vibez currently ranks as the continent’s top performer and the platform’s second most-streamed artist globally, trailing only American rapper YoungBoy NBA. He edges ahead of fellow Nigerian superstars Asake, who became the first African artist to reach 2 billion streams on Audiomack, and Burna Boy, who currently sits at 1,967,293,305 streams as of December 13, 2025.

The foundation of Vibez’s dominance rests on a catalogue built for sustained engagement.
Projects like Billion Dollar Baby, NAHAMciaga, and Thy Kingdom Come have cultivated cycles
of listener loyalty, embedding themselves into daily routines across Nigeria and the diaspora. By the time Fuji Moto arrived on November 14, 2025, Audiomack’s ecosystem had already attuned itself to the artist’s distinct cadence.

The 14-track album represents both a cultural statement and a strategic pivot, merging Yoruba
traditionalism with contemporary production and international sonic appeal. Tracks such as
“How Are You,” “Mario Kart,” and “Pressure” showcase Vibez’s emotional range and expanding creative palette. The song “Pressure,” produced by Mally Mall, DIMA, and YX, blends mellow R&B with Afrobeats NotjustOk, revealing new dimensions to the artist’s versatility. The title
track “FUJI MOTO” has already surpassed 250 million streams, fueling one of 2025’s most
replayed releases.

Perhaps the album’s most significant validation comes through its production roster. American
producers Mally Mall and Dr. Luke contributed to tracks on Fuji Moto

AudiomackTurntablecharts, marking a notable collaboration between Nigerian street-pop and
established American hitmakers. The album also features collaborations with Nigerian trailblazer
Olamide and US rap artists French Montana, Trippie Redd, and NLE Choppa Audiomack,
underscoring Vibez’s expanding transatlantic appeal.

The streaming numbers tell a compelling story of sustained relevance. With over 2.2 billion
streams, Vibez has achieved the highest total for any Nigerian and African artist in Audiomack’s
history—a milestone reached while competing directly with continental heavyweights. His
success is driven by core tracks like “NAHAMciaga,” “Loseyi Professor,” and “FUJI MOTO,” which generate consistent daily playback across Africa and the diaspora. Under his influence, Fuji-infused street-pop has evolved into a fully realized, exportable genre with its own ecosystem and cultural currency.

Underlying Vibez’s music is a distinctive spiritual and cultural signature. Orisa consciousness,
Yoruba lineage, and Lagos street narratives flow through his lyrics, offering layered storytelling
that resonates as authentic and unfiltered. This combination of spiritual depth, melodic craft, and
street-rooted authenticity has cemented his growing global following and critical respect.
The 2.2 billion streams milestone marks more than personal achievement. The Fuji Moto era
signals a redefinition of Nigerian music’s global architecture. Seyi Vibez operates at the intersection of heritage and digital innovation, demonstrating that street-born artistry can achieve worldwide dominance without compromise. In 2025, he isn’t simply participating in the conversation about African music’s global expansion—he’s actively reshaping it, track by track, stream by stream.

The Podium Event Centre transformed into a vibrant runway of African creativity yesterday as designers from across the continent gathered for an unforgettable evening of fashion, recognition, and celebration. Headlining the night were Labaleo Collections of Nigeria and Angelica Nvula of Angola, who clinched the coveted African Fashion Designer of the Year awards in the male and female categories.

The event opened with a dazzling black-carpet reception before guests were ushered into a dynamic fashion show showcasing the diversity, cultural richness, and innovation that define today’s African design landscape. The energy remained high as the runway gave way to the awards ceremony, where leading creatives were honored for their excellence and impact. The night concluded with a lively after-party that kept guests buzzing long after the final award was announced.

Several key industry figures were celebrated for their contributions. Linus Okorie and Keppy Ekpeyong received Lifetime Achievement honors, while celebrity stylist Ugochukwu George Igbokwu was named African Best Hair Stylist. Adetoun Onanobi was recognized as a Distinguished Humanitarian for her efforts in promoting health and sustainability. Other honorees included notable voices in journalism, filmmaking, art, design, youth empowerment, and cultural innovation, creating a tapestry of achievements that highlighted the breadth of African talent.

Additional recognitions were presented to creatives and industry leaders such as King VC Perez, Joy Makun, Queen May, Kelvin Ugwoudo, Yemisi Suleiman, Jide “Jblaze” Oyegbile, Elder Ernest Osadolor, Omoni Oboli, Ruth Kadiri Ezerika, Dr. Akin Faminu Emmanuel, Seyi Adekunle Vodi, Mudi Africa, Dare Aliu, Tokyo James, Bukonla Adebakin, Chude Jideonwo, Chef Gibbs, Ifeoma Okonkwo, Yasmin Belo-Osagie, Zainab Elias, Jennifer Imnion, Don Jazzy, WurlD, Omoyemi Akerele, Tokunbo Akerele, Blessing Obasi Nze, Yolanda Okereke, Denrele Edun, Anthony Awopetu, Temilade Oni, and others who have shaped the creative space in meaningful ways. Special creative impact recognitions from Johnnie Walker, Darling Hair Nigeria, and other partners added further prestige to the evening.

Designers and brands making significant strides in contemporary African fashion were also celebrated, including Joe Parson, Mak Africa, Rojuascent, 2207 by Tbally, Emmanuel Goodnews, Juma Jux, Priscilla Ojo Mkambala, Arnold Umole, Thomfelix Concept, Luxe by Annie, Kikelomo Solomon Ayeni, Blossoms Daniel, and the team behind Labaleo Collections, which earned additional accolades for its bespoke couture and impact in menswear fashion.

The event’s organizers expressed gratitude to partners whose support made the celebration possible, including the Lagos State Government, the Lagos State Ministry of Tourism, Arts and Culture, DCIRCLE, Mysogi Ads, Darling Hair, Johnny Walker, Frutta Juice, Carloha Chery, WAWU Africa, Sozo Event, Assured Security Company, and many others who continue to champion African creativity.

“The night was a celebration of Africa’s fashion brilliance and the people who drive positive change. We are proud to shine a spotlight on these remarkable creators,” the organizers said.

With showing designers like TDA Couture, Trax Apparel, DeraKraft, house of naia, labaleo collections, 1981 clothing, emperor designs, Angelica Griff and ShakesPair

The African Fashion Designers Awards continues to recognize visionaries who blend cultural heritage with contemporary innovation, reinforcing Africa’s place at the forefront of global fashion.

Lagos, Nigeria – Faith Ekwebenam, a Nigerian beauty queen, model, actress, advocate and purpose‑driven changemaker, is proudly representing Nigeria at the Miss International 2025 pageant in Japan. Known for her grace, intelligence and compassion, Faith uses her platform to promote health, sustainability and social impact through her advocacy initiative Beauty for SDGs.

Beauty for SDGs focuses on improving health access, sanitation and hygiene for children living with sickle‑cell disease and other chronic conditions in underserved Nigerian communities. By bridging beauty with purpose, the initiative raises awareness, drives community action and inspires young people to join the effort to achieve the United Nations Sustainable Development Goals (SDGs).

A proud daughter of Anambra State, Faith embodies the vibrant spirit, resilience and cultural pride of her heritage. Beyond the crown, she is passionate about storytelling, community development and using media as a tool for positive transformation.

“Faith Ekwebenam remains committed to showcasing the beauty, strength and purpose of the Nigerian woman to the world,” the statement reads. “Through Beauty for SDGs, we are building a healthier, more equitable future for our children.”

The Miss International competition is currently underway in Japan, and supporters can follow Faith’s journey on social media @faiththeofficial_

Faith is a model, actress and advocate whose work spans fashion, film and humanitarian projects. She is a Miss International 2025 contestant representing Nigeria and the founder of Beauty for SDGs.

Ayodeji Ake

The Christ Compassion to the Rural World (CCRW), an initiative of the Senior Pastor of Kingsway International Christian Centre (KICC), Matthew Ashimolowo, has announced its 2025 annual mega crusade to hold in Portharcourt, Rivers State, at Adokiye Amiesimaka.

CCRW, A One-Week Revolutionary Crusade and Community Outreach, is a non-denominational crusade and community outreach set to bring the gospel of Christ to rural communities in ways that are relevant, relatable, and practical.

During a Press Conference held in Lagos recently to unveil the ‘Portharcourt This is Love Crusade’, scheduled for November 24th to 29th, 5:00 pm daily, the CCRW team also revealed it medical outreach to distributes over 500 million naira worth of medicines, 1130 surgeries, 100 doctors, 100 pharmacists, 50 nurses, 80,000 patients to be treated, and 25,000 kids to be dewormed.

As done in Ikorodu-Lagos and Ibadan-Oyo states in previous editions, the CCRW will also be distributing relief to Port Harcourt residents – 150,000 bags of rice, 150,000 bags of beans, 150,000 bags of garri, 100,000 packs of rice, 20,000 bottles of oil, 170,000 packs of clothes, among other goodies.

Confirming preparations for the Mega crusade, Ashimolowo revealed the medical process is ongoing, the relief materials are already in the warehouse, and transportation has been taken care of- 154 buses to convey people from the rural areas to the venue.

“Even though it was looking terrible and like it wasn’t going to happen, I kept telling them this is where I heard from God. And the first time we went to Port-au-Prince, it was also something we could tell them, that we know that God sent us to Port-au-Prince for such a time as this, there will be peace in the land, and things are meant to work out.

“We’ve done what we can do as humans. We’ve been getting ready. All the materials, as you can see, are already in the storehouse. The Bible says not all men have faith. So during the night crusades, we believe in God for miracles, healings, and deliverances. But those who don’t start the miracle, they’ll get the medicine.

“So we are preparing medicines from the whole truckload. I’m talking about a 20- to 30-ton truckload of medicine to care for maybe up to 70,000 people in Rivers State. And also, we’ve already bought 25,000 dewormers for children.

“At the end of the six days Christ’s conversion to the rural world, our vision is, number one, out of these 1,130 people, I really am praying that we’ll be able to say 1,000 surgeries were done. We’re a Christian ministry. We desire to see souls saved. So we want 30,000 people to commit to Christ.

“We’re sending 154 buses to bring people. We’re even renting some of the Christian campgrounds not far from the stadium to help very poor and indigent people who will be brought from those rural areas so that they have a place to stay during the crusade, so they can collect everything we have for them, wait for their medicals, and then be transported back,” he said.

The Pastor commended the Governor of Rivers State, Similayi Fubara, for the welcome in the state and also his support for the mega crusade.

Popular wedding MC and events compere , Adedamola Oni, better known as MC Dammy, is set to host the second edition of his cultural showcase, “Owambe 2.0: Faaji Repete,” on Sunday, November 16, 2025, at NECA House, Alausa, Ikeja, Lagos.

The event, endorsed by the Lagos State Ministry of Tourism, Arts and Culture, promises a night of comedy, live music, dance, and the vibrant energy synonymous with Yoruba celebrations.

Speaking about the inspiration behind the show, MC Dammy said he created it as a platform to preserve and elevate Yoruba party culture within Nigeria’s creative economy.

“I designed ‘MC Dammy Live Owambe 2.0: Faaji Repete’ as a structured cultural programme to document, professionalise, and scale Yoruba party culture,” he said. “After over a decade as a professional MC and event manager, I saw the need to curate owambe in a way that preserves our values and raises standards, not just entertains.”

The first edition, held at Terra Kulture, Victoria Island, in 2024, received wide commendation for its creativity and organisation. However, Mc Dammy revealed that putting it together came with its own challenges.

“Securing sponsorship for the first edition was the hardest part,” he noted. “We ran a lean operation and relied on goodwill while maintaining professional standards. That experience helped us build better systems for this edition—structured budgets, vendor agreements, safety plans, and a more defined content flow.”

He added that Owambe 2.0 aims to give attendees a complete cultural experience that celebrates heritage and professionalism.

“From the red carpet showcasing native attire to comedy, live music, and cultural dance, I want guests to leave with pride in Yoruba heritage and an appreciation for the effort it takes to present culture at scale,” he said.

According to MC Dammy, the annual event is envisioned to grow into a major fixture on Nigeria’s entertainment calendar, spotlighting the richness of Yoruba tradition while appealing to a modern audience.

The Ojapreneur Empowerment Project 2025, an initiative of The Bukola Jaiyeola Initiative, has been equiping local microentrepreneurs with essential digital skills to scale their businesses in a fast-evolving digital economy.

The core goal was to empower local marketers with practical knowledge and tools to improve their business visibility and productivity and also contribute to the broader economic development of individuals in Osun State, Nigeria, Africa, and the world at large.

Targeting 20 microentrepreneurs from local markets, the program delivered hands-on training using accessible digital platforms such as WhatsApp and AI (Artificial Intelligence)-powered tools like ChatGPT. These tools were carefully selected for their relevance, ease of use, and direct applicability to small business operations.

By simplifying digital literacy and focusing on practical implementation, the project successfully sparked innovation, increased digital confidence, and laid a strong foundation for economic inclusion among local entrepreneurs.

The Market Empowerment Initiative was born out of the growing need to bridge the digital gap among local traders. Despite having access to smartphones, many microentrepreneurs lacked the skills to effectively use them for business growth.

The Bukola Jaiyeola Initiative identified this need and launched a digital literacy campaign targeted at these overlooked but economically vital individuals. The project was specifically designed for microentrepreneurs who had not been exposed to formal digital education but were eager to grow.

With a target of 20 participants, the initiative set out to enhance digital capacity in the areas of customer service, product marketing, and online visibility. The intervention also sparks a broader conversation about economic empowerment through digital inclusion.

The project targeted 20 microentrepreneurs—a mix of both men and women—between the ages of 35 and 60, all actively engaged in trading at the New Market within Obafemi Awolowo University, Ile-Ife, Osun State.

These individuals had been running their businesses for 2 to 10 years, demonstrating a level of consistency, experience, and readiness for growth. A key criterion for selection was owning a smartphone, ensuring participants had the minimum tools required to benefit from digital training. Their businesses ranged across various sectors, including foodstuff, fashion design, catering services, cosmetics, clothing, household goods, and daily essentials.

The Ojapreneur Empowerment fulfilled its mission of equipping microentrepreneurs with basic digital literacy. Beyond the immediate benefits, the project sparked digital curiosity and unlocked new business possibilities for the participants. It stands as a model for grassroots empowerment and demonstrates that digital inclusion is key to achieving economic transformation at the local and national levels.